Apple Logic Pro 7 User Manual

Page of 52
 
Chapter 1   
 
 Audio Hardware and Drivers
 
11
 
Important:  
 
In order to change tracks to or from DAE/TDM, always switch Universal 
Track Mode off, and work with split stereo or mono files. Also be aware that DAE/TDM 
does not currently work with interleaved stereo files. If your tracks need to be switched 
between DAE/TDM and other systems, split stereo files should be used. To do so, 
enable the 
 
Preferences
 
 > 
 
Audio > General > Force record & convert interleaved into split 
stereo file(s)
 
 parameter.
Please reboot Logic after changing the Universal Track Mode setting.
 
Larger Disk Buffer
 
This option influences the amount of audio data that is read from the disk in advance. 
It is switched off by default, matching the demands of fast hard drives and powerful 
computers. If you encounter frequent error messages while running Logic, you should 
switch this setting on. This will allow you to play back more tracks, achieving higher 
reliability. Please note that RAM requirements are increased if this option is active.
 
24 Bit Recording
 
When this setting is active, Logic can record 24 bit files. Please keep in mind that this 
only makes sense if you are actually using a 24 bit interface. As long as your audio 
hardware is capable of this bit depth, you can select this option in the 
 
Audio > Audio 
Hardware & Drivers
 
 window. 
24 bit recordings offer a significant improvement in the available dynamic range, but 
require high quality peripheral components such as; microphones, preamplifiers, and 
high quality AD/DA converters. 24 bit files use one and a half times more disk space 
than comparable 16 bit files.
 
Note:  
 
More information about the use of bit depths, can be found in the following 
section. 
 
Software Monitoring
 
This option allows you to switch Software Monitoring (listening to the actual input 
signal) on or off. Please note that with Software Monitoring active, the audio signal is 
processed via Logic—so a certain amount of audible delay (commonly referred to as 
latency) is inevitable—although this may be so small that it can’t be heard. If you are 
listening to the recording signal through your mixing desk, or your audio hardware 
supports hardware monitoring, you should switch this option off.
The decision to switch Software Monitoring on, or to listen to the incoming signal as 
output by your (analog) mixing desk, depends on the latency time that can be 
achieved with the system.