Adobe photoshop elements User Manual
CHAPTER 11
232
Optimizing Images for the Web
2
Choose a color reduction algorithm for gener-
ating the color lookup table:
•
Perceptual to create a custom color table by
giving priority to colors for which the human eye
has greater sensitivity.
has greater sensitivity.
•
Selective to create a color table similar to the
Perceptual color table, but favoring broad areas
of color and the preservation of Web colors.
This color table usually produces images with
the greatest color integrity. Selective is the
default option.
of color and the preservation of Web colors.
This color table usually produces images with
the greatest color integrity. Selective is the
default option.
•
Adaptive to create a custom color table by
sampling colors from the spectrum appearing
most commonly in the image. For example, an
image with only the colors green and blue
produces a color table made primarily of greens
and blues. Most images concentrate colors in
particular areas of the spectrum.
most commonly in the image. For example, an
image with only the colors green and blue
produces a color table made primarily of greens
and blues. Most images concentrate colors in
particular areas of the spectrum.
•
Web to use the standard 216-color color table
common to the Windows and Mac OS 8-bit
(256-color) palettes. This option ensures that no
browser dither is applied to colors when the image
is displayed using 8-bit color. (This palette is also
called the Web-safe palette.) If your image has
fewer colors than the total number specified in the
color palette, unused colors are removed. Using
the Web palette can create larger files, and is
recommended only when avoiding browser dither
is a high priority. (See “Previewing and controlling
dithering” on page 235.)
(256-color) palettes. This option ensures that no
browser dither is applied to colors when the image
is displayed using 8-bit color. (This palette is also
called the Web-safe palette.) If your image has
fewer colors than the total number specified in the
color palette, unused colors are removed. Using
the Web palette can create larger files, and is
recommended only when avoiding browser dither
is a high priority. (See “Previewing and controlling
dithering” on page 235.)
•
Custom to preserve the current color table as a
fixed palette that does not update with changes to
the image.
the image.
3
To specify the maximum number of colors in
the color palette, select a number from the Colors
pop-up menu, enter a value in the text box, or use
the arrows to change the number of colors. If the
image contains fewer colors than the number
specified, the color table will contain only the
number of colors in the image.
pop-up menu, enter a value in the text box, or use
the arrows to change the number of colors. If the
image contains fewer colors than the number
specified, the color table will contain only the
number of colors in the image.
You can choose the Auto option when working
with a fixed color palette. This option determines
the number of colors in the color table based on
the frequency of colors in the image. Choose Auto
if you want Photoshop Elements to determine the
optimal number of colors in the color table.
with a fixed color palette. This option determines
the number of colors in the color table based on
the frequency of colors in the image. Choose Auto
if you want Photoshop Elements to determine the
optimal number of colors in the color table.
4
Choose a dithering algorithm option, and
specify a percentage for Dither. (See “Previewing
and controlling dithering” on page 235.)
and controlling dithering” on page 235.)
5
If the image contains transparency, select
Transparency to preserve transparent pixels as
transparent; deselect Transparency to fill fully and
partially transparent pixels with the Matte color.
(See “Making transparent and matted images” on
page 233.)
transparent; deselect Transparency to fill fully and
partially transparent pixels with the Matte color.
(See “Making transparent and matted images” on
page 233.)
6
Select Interlaced to create an image that displays
as low-resolution versions in a browser while the
full image file is downloading. Interlacing can
make downloading time seem shorter and assures
viewers that downloading is in progress.
full image file is downloading. Interlacing can
make downloading time seem shorter and assures
viewers that downloading is in progress.