Adobe Production Premium, Win, ES 65054802 User Manual

Adobe Creative Suite 5 Production Premium 

What’s New

With the rapid growth of video on the Internet and on new platforms such as mobile devices, being 
able to efficiently deliver your content in a variety of formats is crucial. Adobe Media Encoder, a 
separate, native 64-bit component of Production Premium, saves you time by automating the 
process of creating multiple encoded versions of your source files and Adobe Premiere Pro 
sequences. Stay focused on being creative by using Adobe Media Encoder to batch encode your 
files in the background. Set up multiple items for batch encoding, manage priorities, and control 
advanced settings for each item individually. Encode to a wide variety of video formats, including 
DPX, FLV, F4V, Windows Media, QuickTime, and other popular codecs such as MPEG-2, MPEG-4, 
and H.264, all accelerated by support for native 64-bit rendering.

Adobe Media Encoder now has better visual feedback and a new, more intuitive user interface that 
helps you efficiently set up and batch encode multiple versions of your sequences, including the 
ability to:

•  Get more visual feedback. The Settings Summary dialog box displays information about both 

output and source footage, and two new tooltips summarize the output settings for the selected 
encoding preset or source assets.

•  Automatically match TV Standard, Frame Rate, Field Order, and Pixel Aspect Ratio properties of 

source footage using a new setting called “Automatic.” For example, if the source file’s frame rate 
is 25 frames per second, the TV Standard is set to PAL. This affects video output in H.264 Blu-ray 
Disc, MPEG-2 DVD, and MPEG-2 Blu-ray Disc formats.

•  Set bit rate based on frame dimensions for FLV, F4V, H.264 Blu-ray Disc, and MPEG-2 Blu-ray Disc 

formats. You can set the bit rate manually as well.

•  Change the frame rate, pixel aspect ratio, field order, or alpha channel settings when importing 

clips into Adobe Media Encoder using the Interpret Footage command.

•  Add XMP cue points to the output file from metadata in FLV or F4V source files. In the Prefer-

ences dialog box, you can control whether source cue points are used.

•  Ensure that final content contains metadata. Use templates to add essential details to media 

assets in a consistent way to enhance viewer engagement. You can also use metadata templates 
to make sure that a file contains only the metadata you specify.

Adobe Media Encoder now displays the 

video asset being transcoded. Notice 

that in this encoding batch, two source 

files in the Source Name column are 

being output in many formats and 

resolutions for archival, web, broadcast, 

and mobile delivery.