Alesis 7-51-0214-b User Manual

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Using the Control Panel
 
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3.  Adjust latency by changing the buffer size 
“Latency” refers to the amount of  time it takes for audio to get 
into and out of  the computer.  In the best of  all possible worlds, 
there would be no such thing as latency—we would hear audio the 
moment it was created.  However, computers have limited 
processing power, and they can “choke”—cutting off  recording or 
crashing programs—if  they are asked to handle too much data all 
at once.   
 
To minimize this risk, audio can be stored in a buffer for a certain 
amount of  time.  This buffering helps smooth out the stream of  
data that the computer needs to handle.  In the end, all of  the 
audio is sorted out and played correctly, but with a delay.   
 
Here are the basic considerations to consider when adjusting 
buffer sizes: 
 
Lower buffer size = less latency but higher risk of  audio 
problems 
 
Higher buffer size = more latency but lower risk of  audio 
problems 
 
Very high buffer size = possible system instability 
 
For most systems, there is a “sweet spot” where latency is not too 
high and system performance is stable.  Experiment with raising or 
lowering buffer sizes to hit this sweet spot. 
 
As you begin adding plug-in EQ, compression, and so forth to 
your project, your computer will need to work harder.  Consider 
increasing your buffer size at this time. 
 
4.  Choose a Buffer Mode 
Three different modes allow you to customize the way that your 
computer organizes and uses buffers. 
 
If  you use your computer for all sorts of  applications besides 
music (Word Processing, email, etc.), choose “Norma”l 
Buffer Mode. 
 
If  your computer is relatively new and is used almost 
exclusively for music applications and has very few other 
processes running, choose “Fast” mode. 
 
Choose “High Performance” mode if  you have an extremely 
well specified computer, use few background tasks, and are 
not shuttling very large amounts of  data through the Firewire 
bus. 
 
Experiment with each of  these settings in your first few weeks 
using the IO14/26.  Depending upon your computer 
configuration and the types of  audio projects you do, you may find 
that one setting clearly outperforms the others. 
 
Many people use two latency 
settings—a lower one when 
recording tracks and a higher 
one when mixing.     
To counteract the delays you 
hear when you are 
monitoring incoming audio 
through the computer and 
your latency settings are 
high, turn off your DAW’s 
input monitoring feature.  
Use the included Alesis 
Hardware Direct Monitoring 
application instead.