Adobe Production Premium, Win, ES 65055016 User Manual
Product codes
65055016
4
Adobe Creative Suite 5 Production Premium
What’s New
In Adobe Premiere Pro, the Mercury Playback Engine takes advantage of every part of a modern
system. Whether you use a Mac or Windows, the Mercury Playback Engine brings native 64-bit,
GPU-accelerated support and optimization for multiple-core CPUs. You’ll experience smooth
responsiveness and instant feedback when in the past you might have expected to wait. Open
projects faster, scrub through HD and higher resolution projects fluidly, and handle long-form
content and effects-heavy sequences with rock-solid stability. You’ll usually see results instantly
when keying with the new Ultra keyer, scrubbing through transitions and effects, performing
multiple color corrections, and applying Gaussian blurs and blend modes. These performance
enhancements also help Adobe Premiere Pro render final output much faster than before.
system. Whether you use a Mac or Windows, the Mercury Playback Engine brings native 64-bit,
GPU-accelerated support and optimization for multiple-core CPUs. You’ll experience smooth
responsiveness and instant feedback when in the past you might have expected to wait. Open
projects faster, scrub through HD and higher resolution projects fluidly, and handle long-form
content and effects-heavy sequences with rock-solid stability. You’ll usually see results instantly
when keying with the new Ultra keyer, scrubbing through transitions and effects, performing
multiple color corrections, and applying Gaussian blurs and blend modes. These performance
enhancements also help Adobe Premiere Pro render final output much faster than before.
In Adobe Creative Suite 5
Production Premium, you can
coordinate RAM allocation for
After Effects, Adobe Premiere
Pro , Adobe Encore, and Adobe
Media Encoder thanks to
cross-component memory
management. You can make the
most of your system resources
without learning complex
memory-management settings.
Production Premium, you can
coordinate RAM allocation for
After Effects, Adobe Premiere
Pro , Adobe Encore, and Adobe
Media Encoder thanks to
cross-component memory
management. You can make the
most of your system resources
without learning complex
memory-management settings.
Dynamic Link—now faster in CS5—lets you work between Production Premium components and
stay in the creative flow by eliminating the need to render files when you make changes to
assets—whether you’re editing an After Effects composition that appears as footage in Adobe
Premiere Pro or bringing an edited Adobe Premiere Pro sequence into After Effects to perform
color correction or add visual effects. You can use Dynamic Link to insert an effects sequence from
After Effects into an Adobe Premiere Pro timeline, use an Adobe Premiere Pro timeline as a layer in
an After Effects composition, or import After Effects compo sitions or Adobe Premiere Pro
sequences into Encore for DVD authoring.
stay in the creative flow by eliminating the need to render files when you make changes to
assets—whether you’re editing an After Effects composition that appears as footage in Adobe
Premiere Pro or bringing an edited Adobe Premiere Pro sequence into After Effects to perform
color correction or add visual effects. You can use Dynamic Link to insert an effects sequence from
After Effects into an Adobe Premiere Pro timeline, use an Adobe Premiere Pro timeline as a layer in
an After Effects composition, or import After Effects compo sitions or Adobe Premiere Pro
sequences into Encore for DVD authoring.
The industry’s best tapeless workflow
Expanded native support for tapeless media, including the latest DSLR video formats, makes the
industry’s best tapeless workflow even better in CS5 Production Premium. Edit native tapeless
footage immediately after transferring it from the camera, avoiding transcoding or rewrapping of
footage. You save valuable time and preserve the pristine quality of the original capture along with
camera metadata. New support for XDCAM HD 50, AVCCAM, DPX, and AVC-Intra as well as
enhanced RED support builds on existing support for P2, XDCAM EX and HD, and AVCHD. Use the
Media Browser panels in Adobe Premiere Pro and OnLocation to conveniently browse clips and
view metadata, including metadata from Panasonic AVCCAM cameras.
industry’s best tapeless workflow even better in CS5 Production Premium. Edit native tapeless
footage immediately after transferring it from the camera, avoiding transcoding or rewrapping of
footage. You save valuable time and preserve the pristine quality of the original capture along with
camera metadata. New support for XDCAM HD 50, AVCCAM, DPX, and AVC-Intra as well as
enhanced RED support builds on existing support for P2, XDCAM EX and HD, and AVCHD. Use the
Media Browser panels in Adobe Premiere Pro and OnLocation to conveniently browse clips and
view metadata, including metadata from Panasonic AVCCAM cameras.
With the latest DSLR cameras from Canon, Nikon, Panasonic, and others, you can shoot full-frame
1920x1080 or 1280x720 HD video. Due to their exceptional image quality, low-light capability, and
the ability to shoot using prime lenses, these cameras are finding their way into video productions
at all levels. New in Adobe Premiere Pro CS5 is the ability to import and natively edit video shot
with the Canon EOS 5D Mark II, 7D, and 1D Mark IV as well as video shot with the Nikon D90,
D300s, and D3000 DSLR cameras. Similarly, you can import and natively edit AVCHD video shot
with Panasonic DMC-GH1 DSLR cameras, as well as AVCHD video from Sony, Panasonic, and
Canon video cameras.
1920x1080 or 1280x720 HD video. Due to their exceptional image quality, low-light capability, and
the ability to shoot using prime lenses, these cameras are finding their way into video productions
at all levels. New in Adobe Premiere Pro CS5 is the ability to import and natively edit video shot
with the Canon EOS 5D Mark II, 7D, and 1D Mark IV as well as video shot with the Nikon D90,
D300s, and D3000 DSLR cameras. Similarly, you can import and natively edit AVCHD video shot
with Panasonic DMC-GH1 DSLR cameras, as well as AVCHD video from Sony, Panasonic, and
Canon video cameras.
Complementing its existing direct-to-disk recording capabilities, OnLocation CS5 now has a
workflow tailored to merging content from a tapeless camera. Add comments as metadata to
placeholder clips on your computer while recording the actual clips on a tapeless camera; when
you import the original camera media into the shot list, OnLocation merges the logging
information with video and audio to create fully logged tapeless captures. Shot metadata can be
workflow tailored to merging content from a tapeless camera. Add comments as metadata to
placeholder clips on your computer while recording the actual clips on a tapeless camera; when
you import the original camera media into the shot list, OnLocation merges the logging
information with video and audio to create fully logged tapeless captures. Shot metadata can be
Dynamic Link is faster between After
Effects CS5 and Adobe Premiere Pro
CS5, and is also supported in both
Effects CS5 and Adobe Premiere Pro
CS5, and is also supported in both
directions between those two
components. You can also use Dynamic
components. You can also use Dynamic
Link between Encore and either
After Effects or Adobe Premiere Pro.
Adjust RAM usage for Production Premium components using new shared
memory management settings.