ART sgx 2000 User Manual
30
:DIFFUS= 60 to 100 percent in four increments of 20% [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
GATE-VERB-2
[GATE-VERB-2], [GAT]
Gated Reverb
[GATE-VERB-2], [GAT]
Gated Reverb
Parameters:
:TYPE= SLOPE-2, FLAT-2, RVRS-2A, RVRS-2B, OFF [SLOPE-2]
:IN = PRE DDL, POST DDL [PRE DDL]
:DECAY = 0.05 to 0.40 seconds in 5 ms increments [0.40s]
:DIFFUS= 60 to 100 percent in four increments of 20% [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
:TYPE= SLOPE-2, FLAT-2, RVRS-2A, RVRS-2B, OFF [SLOPE-2]
:IN = PRE DDL, POST DDL [PRE DDL]
:DECAY = 0.05 to 0.40 seconds in 5 ms increments [0.40s]
:DIFFUS= 60 to 100 percent in four increments of 20% [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
GATE-VERB-3
[GATE-VERB-3], [GAT]
Gated Reverb
[GATE-VERB-3], [GAT]
Gated Reverb
Parameters:
:TYPE= SLOPE-3, FLAT-3, RVRS-3A, RVRS-3B
[SLOPE-3]
:DECAY = 0.05 to 0.40 seconds in 5 ms increments [0.40
:DIFFUS= 60 to 100 percent in four increments of 20% [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
:TYPE= SLOPE-3, FLAT-3, RVRS-3A, RVRS-3B
[SLOPE-3]
:DECAY = 0.05 to 0.40 seconds in 5 ms increments [0.40
:DIFFUS= 60 to 100 percent in four increments of 20% [100%]
:LEVEL = 0 to 100 percent in % increments [100%]
Both GATE-VERB-1 and GATE-VERB-2 have forward and reverse gated reverb algorithms
which are not quite as dense or complex as those found in the GATE- VERB-3
algorithms. For an equal decay, GATE-VERB-2 is denser than GATE-VERB-1. The
decay times found in GATE-VERB-2 are longer. When used in a stack of effects
these gated sounds will fill in nicely. If you choose to use these effects alone,
they will be loose and moderately sparse. By varying the amount of diffusion you
directly affect the tightness (or looseness) of the sound. High diffusion equates
to a tighter effect.
which are not quite as dense or complex as those found in the GATE- VERB-3
algorithms. For an equal decay, GATE-VERB-2 is denser than GATE-VERB-1. The
decay times found in GATE-VERB-2 are longer. When used in a stack of effects
these gated sounds will fill in nicely. If you choose to use these effects alone,
they will be loose and moderately sparse. By varying the amount of diffusion you
directly affect the tightness (or looseness) of the sound. High diffusion equates
to a tighter effect.
GATE-VERB-3 algorithms are the most complex and dense. Always use GATE-VERB-3
when building "reverb only" programs.The difference between normal reverb decays
and decays when a gated program is the normal decay gradually fades into nothing
while the gated decay ends in an abrupt manner. The most interesting gated
program is the flat setting. Here there is no decay but the equivalent of a short
burst of sound.
when building "reverb only" programs.The difference between normal reverb decays
and decays when a gated program is the normal decay gradually fades into nothing
while the gated decay ends in an abrupt manner. The most interesting gated
program is the flat setting. Here there is no decay but the equivalent of a short
burst of sound.
DELAY ALGORITHMS
TAP'D-DDL-S
[TAP'D-DDL-S], [DDL]
Tapped Digital Delay - Short
[TAP'D-DDL-S], [DDL]
Tapped Digital Delay - Short
Parameters:
:TYPE:= FLAT-1m, FLAT-1s, RVRS-1m, RVRS-1s, SLOPE1m, SLOPE1s, (E)
FLAT-2m, FLAT-2s, RVRS-2m, RVRS-2s, SLOPE2m, SLOPE2s, (S)
FLAT-3m, FLAT-3s, RVRS-3m, RVRS-3s, SLOPE3m, SLOPE3s (L) [FLAT-1m]
:TAPS= 1 to 7 in one step increments [2]
:DELAY* = 0 to 960ms [100ms]
increments:5ms;0-350, 10ms;350-700
20ms;700-960
D-FINE* = 0 to 50ms in 1ms increments [0ms]
:TYPE:= FLAT-1m, FLAT-1s, RVRS-1m, RVRS-1s, SLOPE1m, SLOPE1s, (E)
FLAT-2m, FLAT-2s, RVRS-2m, RVRS-2s, SLOPE2m, SLOPE2s, (S)
FLAT-3m, FLAT-3s, RVRS-3m, RVRS-3s, SLOPE3m, SLOPE3s (L) [FLAT-1m]
:TAPS= 1 to 7 in one step increments [2]
:DELAY* = 0 to 960ms [100ms]
increments:5ms;0-350, 10ms;350-700
20ms;700-960
D-FINE* = 0 to 50ms in 1ms increments [0ms]