Yamaha digital mixing studio 01x User Manual

01X   Owner’s Manual

■ Preset EQ Library

21

A. G. Stroke 2

A variation on preset 20. You can also use it with an 
acoustic-electric nylon string guitar.

22

A. G. Arpeg. 1

Ideal for arpeggio playing on acoustic guitars.

23

A. G. Arpeg. 2

A variation on preset 22.

24

Brass Sec.

Use with trumpets, trombones, or saxes. When used 
with a single instrument, try adjusting the HIGH or 
HIGH-MID frequency.

25

Male Vocal 1

An EQ template for male vocals. Try adjusting the 
HIGH or HIGH-MID parameters according to the 
voice quality.

26

Male Vocal 2

A variation on preset 25.

27

Female Vo. 1

An EQ template for female vocals. Try adjusting the 
HIGH or HIGH-MID parameters according to the 
voice quality.

28

Female Vo. 2

A variation on preset 27.

29

Chorus&Harmo

An EQ template for brightening choruses.

30

Total EQ 1

Use on a stereo mix during mixdown. Sounds even 
better when used with a compressor.

31

Total EQ 2

A variation on preset 30.

32

Total EQ 3

A variation on preset 30. Can also be used with 
paired Input or Output Channels.

33

Bass Drum 3

A variation on preset 1, with low and mid range 
reduced.

34

Snare Drum 3

A variation on preset 3, creating a thicker sound.

35

Tom-tom 2

A variation on preset 5, emphasizing the mid and 
high ranges.

36

Piano 3

A variation on preset 13.

37

Piano Low

Emphasizes the low range of pianos recorded in ste-
reo.

38

Piano High

Emphasizes the high range of pianos recorded in 
stereo.

39

Fine-EQ Cass

Add clarity when recording to or from cassette tape.

40

Narrator

Ideal for recording narration.

1

Bass Drum 1

Emphasizes the low range of a bass drum and the 
attack created by the beater.

2

Bass Drum 2

Creates a peak around 80 Hz, producing a tight, stiff 
sound.

3

Snare Drum 1

Emphasizes “snappy” and rimshot sounds.

4

Snare Drum 2

Emphasizes various ranges for that classic rock 
snare drum sound.

5

Tom-tom 1

Emphasizes the attack of tom-toms, and creates a 
long, “leathery” decay.

6

Cymbal

Emphasizes the attack of crash cymbals, extending 
the “sparkling” decay.

7

High Hat

Use on a tight high-hat, emphasizing the mid to high 
range.

8

Percussion

Emphasizes attack and adds clarity to the high-
range of instruments, such as shakers, cabasas, 
and congas.

9

E. Bass 1

Produces a tight electric bass sound by cutting very 
low frequencies.

10

E. Bass 2

Unlike preset 9, this preset emphasizes the low 
range of an electric bass.

11

Syn. Bass 1

Use on a synth bass with emphasized low range.

12

Syn. Bass 2

Emphasizes the attack that is peculiar to synth bass.

13

Piano 1

Makes pianos sound brighter.

14

Piano 2

Used in conjunction with a compressor, this preset 
emphasizes the attack and low range of pianos.

15

E. G. Clean

Use for line-level recording of an electric or semi-
acoustic guitar to get a slightly harder sound.

16

E. G. Crunch 1

Adjusts the tonal quality of a slightly distorted guitar 
sound. 

17

E. G. Crunch 2

A variation on preset 16.

18

E. G. Dist. 1

Makes a heavily distorted guitar sound clearer.

19

E. G. Dist. 2

A variation on preset 18.

20

A. G. Stroke 1

Emphasizes the bright tones of acoustic guitars.