Yamaha qs300 User Manual
128
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In the example display shown above, six different
Phrases are used in four tracks:
•
Phrases are used in four tracks:
•
Track 1 — A drum Phrase (DR08M007) plays for
four measures.
four measures.
•
Track 2 — A bass Phrase (BA08M006) plays for
three measures.
three measures.
•
Track 3 — Three different percussion Phrases
(PC08M005, PC08M015, and PC16M005) fill out
the four measures.
(PC08M005, PC08M015, and PC16M005) fill out
the four measures.
•
Track 4 — A guitar chord Phrase (GC08M008)
plays for three measures.
plays for three measures.
8.
Press
R to hear the Phrase(s).
Pressing
R plays back the newly edited Pattern. You
can leave playback on and continue editing the Pattern,
and hear how the Pattern sounds as you make changes
to it. Also, you can use the Solo function (see below)
during playback to hear only the highlighted Phrase.
and hear how the Pattern sounds as you make changes
to it. Also, you can use the Solo function (see below)
during playback to hear only the highlighted Phrase.
To stop playback, press
T.
9.
Press
) to leave the Patch page.
When completed with your newly created Pattern, press
).
).
10.
Give your new Pattern a name and save it to disk.
Use the Style Name Job (see page 168) to name the
newly created Pattern. You can press
newly created Pattern. You can press
* (Save) from
the Pattern play display to directly call up the Save
operation (see page 137), or do the same operation from
the Disk mode (see page 197).
operation (see page 137), or do the same operation from
the Disk mode (see page 197).
11.
Repeat the above steps for other Sections, as
desired.
HINT: Keep in mind that if you have User Patterns in memory,
you don’t have to start from scratch in creating new Patterns.
You can call up a previous User Pattern and use that as the
basis for a new Pattern. This is especially helpful in maintain-
ing musical consistency if you’re creating several Sections in a
specific Style.
you don’t have to start from scratch in creating new Patterns.
You can call up a previous User Pattern and use that as the
basis for a new Pattern. This is especially helpful in maintain-
ing musical consistency if you’re creating several Sections in a
specific Style.
NOTE: Refer to the Pattern Jobs section on page 163 for
details on the Pattern jobs, which provide considerable
versatility in creating and modifying Patterns.
details on the Pattern jobs, which provide considerable
versatility in creating and modifying Patterns.
● ! — Solo
This turns the Solo function on and off. Solo lets you
isolate (or “solo”) a specific Phrase during playback.
This turns the Solo function on and off. Solo lets you
isolate (or “solo”) a specific Phrase during playback.
● & — Rest
This inserts a one-measure rest at the highlighted
measure. The rest stops Phrase playback until the end
of the Pattern, or until the next Phrase number in the
track.
This inserts a one-measure rest at the highlighted
measure. The rest stops Phrase playback until the end
of the Pattern, or until the next Phrase number in the
track.
● * — Clear
This clears the entered data (Phrase number or rest) at
the highlight position.
This clears the entered data (Phrase number or rest) at
the highlight position.
■ Other Functions
F1
F2
F3
F4
F5
F6
F7
F8
Press
*
to clear
the entered data at
the highlight.
the highlight.
Press
&
to enter a
rest at the highlight.
Press
!
to solo
currently highlighted
Phrase.
Phrase.
Rest symbol