Yamaha qs300 User Manual
87
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Song Controller
Real-time Controllers:
MODULATION Wheel / PITCH Wheel / After Touch / Foot Controller
Path:
s
➞
%
(Contrl)
➞
*
@
(ModWhl) /
*
#
(PchBnd) /
*
$
(AftTch) /
*
%
(FotCnt)
➞
*
&
(Bias) /
*
*
(Mod)
* Pressing this may not be necessary if the appropriate page has already been called up.
The four real-time controllers of the QS300 let you dynami-
cally change virtually any aspect of the sound as you play.
These pages let you determine:
cally change virtually any aspect of the sound as you play.
These pages let you determine:
•
`Which controller is used for real-time control.
•
Which aspects of the sound are controlled: level
(Amp), pitch (Pch) or timbre (Flt).
(Amp), pitch (Pch) or timbre (Flt).
•
The amount or depth of control (Bias).
•
The amount of modulation (Mod) — creating a
wavering vibrato/wahwah type of effect.
wavering vibrato/wahwah type of effect.
Naturally, all these real-time changes can be recorded to a
song and played back exactly as you performed them.
song and played back exactly as you performed them.
From the pages shown below, you can:
•
Use
@ (ModWhl), # (PchBnd), $
(AftTch), or
% (FotCnt) to select the desired
controller.
•
Use
& (Bias) and * (Mod) to select the Bias
or Modulation parameter pages.
Pitch Bias Depth
Filter Cutoff Bias
Depth
Depth
F1
F2
F3
F4
F5
F6
F7
F8
Use these to select the desired
controller.
controller.
Use this to call up the Modulation
parameter page.
parameter page.
●
Amplitude EG Bias Depth (AmpBias)
Range: -64 (-100%) — +63 (+100%)
This determines how the controller affects the Amplitude or
volume of the sound. For positive values, the volume level
increases as the controller is moved toward the maximum.
For negative values, the effect is reversed: moving the
controller to the maximum results in a decrease in volume.
volume of the sound. For positive values, the volume level
increases as the controller is moved toward the maximum.
For negative values, the effect is reversed: moving the
controller to the maximum results in a decrease in volume.
●
Pitch Bias Depth (Pch Bias)
Range: -24 — +24 semitones
This determines how the controller affects the pitch of the
sound. For positive values, the pitch is raised as the
controller is moved toward the maximum. For negative
values, the effect is reversed: moving the controller to the
maximum results in a lowering of the pitch.
sound. For positive values, the pitch is raised as the
controller is moved toward the maximum. For negative
values, the effect is reversed: moving the controller to the
maximum results in a lowering of the pitch.
●
Filter Cutoff Bias Depth (Flt Bias)
Range: -64 (-100%) — +63 (+100%)
This determines how the controller changes the filter
setting, which affects the timbre or tonal quality of the
sound. For positive values, the tone becomes brighter as
the controller is moved toward the maximum. For negative
values, the effect is reversed: moving the controller to the
maximum results in a warmer, more round sound.
setting, which affects the timbre or tonal quality of the
sound. For positive values, the tone becomes brighter as
the controller is moved toward the maximum. For negative
values, the effect is reversed: moving the controller to the
maximum results in a warmer, more round sound.
&
— Bias Parameters
Amplitude EG Bias Depth
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Controller Edit
Song Mode