Electro-Voice re410 eds User Manual
Key Features:
•
Versatile Condenser Microphone, Ideal for
Both Vocals and Instruments
Both Vocals and Instruments
•
Cardioid Polar Pattern with Excellent
Feedback Rejection and Acoustic Isolation
Feedback Rejection and Acoustic Isolation
•
Multistage Pop Filter Eliminates Breath Pop
Noises
Noises
•
Memraflex
TM
Hardened Grille Screen
•
Warm-Grip
TM
Handle for More Comfortable
Feel
General Description:
The Electro-Voice® RE410 is a professional quality hand-
held condenser microphone that was designed specifically
for vocalists, yet has the versatility, smooth response, and
dynamic range to make it outstanding for virtually any
application. The RE410 is the ideal vocal microphone for
anyone that appreciates the crisp high end and warm
proximity effect that can only come from a top performing
condenser microphone. The response of the RE410 is
tailored to provide just a slight amount of “air” in the 5 to
10kHz area, enhancing the sound without adding stridency.
The RE410 features a cardioid polar pattern that provides
great rear rejection and a smooth off-axis response that’s
perfect for performers who tend to “wander” around the mic.
held condenser microphone that was designed specifically
for vocalists, yet has the versatility, smooth response, and
dynamic range to make it outstanding for virtually any
application. The RE410 is the ideal vocal microphone for
anyone that appreciates the crisp high end and warm
proximity effect that can only come from a top performing
condenser microphone. The response of the RE410 is
tailored to provide just a slight amount of “air” in the 5 to
10kHz area, enhancing the sound without adding stridency.
The RE410 features a cardioid polar pattern that provides
great rear rejection and a smooth off-axis response that’s
perfect for performers who tend to “wander” around the mic.
Technical Specifications:
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9
RE410
Handheld Condenser
Microphone
Application Notes:
The low frequency response of the RE410 microphone varies
with the distance from the sound source. Known as “proximity
effect,” maximum bass response is produced in “close-up”
use with the microphone 1/4 inch from the sound source.
Normal bass response is experienced with working distances
greater than 24 inches. Working close to the microphone will
produce a more robust sound. Close up positioning of the
microphone will also reduce the potential for feedback from
the sound reinforcement system. When close-talked, the
bass-boost provides an increase in overall microphone output
level. The mixer gain may be proportionately reduced,
resulting in a reduction of the system’s sensitivity to feedback
caused by sound entering the microphone from the
loudspeakers.
with the distance from the sound source. Known as “proximity
effect,” maximum bass response is produced in “close-up”
use with the microphone 1/4 inch from the sound source.
Normal bass response is experienced with working distances
greater than 24 inches. Working close to the microphone will
produce a more robust sound. Close up positioning of the
microphone will also reduce the potential for feedback from
the sound reinforcement system. When close-talked, the
bass-boost provides an increase in overall microphone output
level. The mixer gain may be proportionately reduced,
resulting in a reduction of the system’s sensitivity to feedback
caused by sound entering the microphone from the
loudspeakers.