Mackie ms1402vlz User Manual
14
L
MONO
L
MONO
L
MONO
L
MONO
LINE IN 7–8
R
R
R
R
LINE IN 9–10
LINE IN 11–12
LINE IN 13–14
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 3
LINE IN 4
L
R
1
2
1
2
RIGHT
AUX SEND
STEREO AUX RETURNS
MAIN OUTS
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
LINE IN 5
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
LINE IN 1
LINE IN 2
MIC
1
MIC
2
MIC
3
MIC
4
LEFT
(1/MONO)
BAL/UNBAL
LOW CUT
75 Hz
18dB/OCT
LOW CUT
75 Hz
18dB/OCT
BAL
OR
UNBAL
BAL
OR
UNBAL
ALL BAL/UNBAL
MIC
5
MIC
6
TRIM
TRIM
TRIM
TRIM
TRIM
TRIM
LEVEL
+4
-10
-10
-10
-10
LEVEL
+4
LEVEL
+4
LEVEL
+4
TRIM
TAPE
INPUT
TAPE
OUTPUT
L
R
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
MIC
GAIN
U
+10dB -40dB
-
10dBV
10
60
TAPE IN
These RCA jacks are designed to work with
semi-pro as well as pro recorders. To compen-
sate for typically low levels, signals coming in
here will be automatically boosted by 6dB.
sate for typically low levels, signals coming in
here will be automatically boosted by 6dB.
Connect your tape recorder’s outputs here,
using standard hi-fi (RCA) cables.
To learn how
signals are routed from these inputs, see .
TIP
SLEEVE
TIP
SLEEVE
Use these jacks for convenient tape play-
back of your mixes. You’ll be able to review a
mix, and then rewind and try another pass,
without repatching or disturbing the mixer
levels. You can also use these jacks with a por-
table tape or CD player to feed music to a PA
system between sets.
mix, and then rewind and try another pass,
without repatching or disturbing the mixer
levels. You can also use these jacks with a por-
table tape or CD player to feed music to a PA
system between sets.
WARNING: Pushing
TAPE in the
SOURCE
matrix and
ASSIGN TO
MAIN MIX can create a
feedback path between
feedback path between
TAPE IN and TAPE OUT. Make sure your
tape deck is not in record, record-pause or
input monitor mode when you engage these
switches, or make sure the
tape deck is not in record, record-pause or
input monitor mode when you engage these
switches, or make sure the
CONTROL
ROOM / PHONES fader is fully down (off).
Pin 1 = Ground
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
Pin 2 = Positive (+ or hot)
Pin 3 = Negative (– or cold)
Outputs? The MS1402-VLZ has plenty of
’em: XLR
MAIN,
1
⁄
4
"
MAIN, TAPE, PHONES,
CONTROL ROOM and AUX SENDS. Let’s
take a peek.
take a peek.
XLR MAIN OUTPUTS
These low-impedance outputs are fully bal-
anced and capable of driving +4dBu lines with
up to 28dB of headroom. This output is 6dB
hotter than other outputs.
up to 28dB of headroom. This output is 6dB
hotter than other outputs.
To learn how sig-
nals are routed to these outputs: .
To use these outputs, wire the XLR (bal-
anced only) connectors like this:
2
2
3
1
1
SHIELD
COLD
HOT
SHIELD
COLD
HOT
3
SHIELD
COLD
HOT
3
2
1