Korg kp2 User Manual
No
.
.
EFFECT GR
OUP
FIL
TER
EFFECT PR
OGRAM LIST
LISTE DES PR
OGRAMMES D’EFFETS
MOD
DELA
Y
REVERB
SFX
00
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
TITLE
Lo
w P
w P
ass Filter
3 Band Isolator
Fuzz Distor
tion
High/Lo
w P
ass Filter + P
a
n
Multi Isolator
Distor
tion + Isolator
Man
ual Phaser
Radio
High P
ass Filter + Distor
tion
V
oice Filter
Flang
er
Vibrato
Phaser
A
uto P
a
n
Pitc
h Shifter
Flang
er + Filter
Slicer
Step Phaser
LFO W
a
h
Harmonic Pitc
h Shifter
T
ape Ec
ho
Dela
y
Hi-Fi Dela
y
Feedbac
k Dela
y
Multi T
ap
Dela
y
Special Ec
ho
Ping P
ong Dela
y
T
alk Mod + Dela
y
Filter + Dela
y
Dub Ec
ho
Hall Re
verb
Spring Re
verb
Room Re
verb
Gate Re
verb
3 Band Hall Re
verb
3 Band Gate Re
verb
Dela
y + Re
verb
T
alk Mod + Re
verb
Filter + Re
verb
3D P
a
n
Re
ver
se Dela
y
Step Modulation
Ring Modulation + Filter
Dual Pitc
h Shift
T
remolo + Dela
y
Re
ver
se + Pitc
h Shifter
Br
oken Modulation
Ring + Dela
y
High Speed Modulation
Aqua
Cutoff F
requency
Resonance
Lo
w–Mid–Hi
w–Mid–Hi
—
Lo
w–Mid
w–Mid
Hi Le
v
e
l
HPF–LPF
, L–R P
a
n
Cutoff F
requency
Lo
w–Hi
w–Hi
Mid Le
v
e
l
Lo
w–Mid–Hi
w–Mid–Hi
Distor
tion
F
requency
Resonance
Lo
w–Mid
w–Mid
Ov
erdr
erdr
iv
e
Cutoff F
requency
Distor
tion
Vo
we
lO
we
lO
v
erdr
iv
e
Dela
y Time
Resonance
,
Re
v
v
erb
Speed
Depth
Speed
F
requency
Speed
Depth
Pitch
Re
v
v
erb
Speed
Cutoff F
requency
Speed
Depth
Mod Step
Resonance
Speed
Depth
Root–min3rd–Maj3rd–4th–5th
Re
v
v
erb
Dela
y
Time
Dela
y Le
v
el, F
eedbac
k
Dela
y Time
T
one
Dela
y Time
F
eedbac
k
Dela
y
Time
F
eedbac
k, Input Atten
uation
T
one
F
eedbac
k
Dela
y Time
Dela
y
Le
v
v
e
l
Dela
y Time
F
eedbac
k
Vo
w
w
e
l
O
v
er Dr
iv
e
Cutoff F
requency
Dela
y Le
v
e
l
Dela
y Time
T
one
T
one
Re
v
v
erb Le
v
e
l
T
one
Re
v
v
erb Time
T
one
Re
v
v
erb Le
v
e
l
T
one
Re
v
v
erb Le
v
e
l
Lo
w–Mid–Hi
w–Mid–Hi
Re
v
v
erb Time
Lo
w–Mid–Hi
w–Mid–Hi
Re
v
v
erb Le
v
e
l
Dela
y Time
Re
v
v
erb
Le
v
v
e
l
Vo
w
w
e
l
O
v
er Dr
iv
e
Cutoff F
requency
Re
v
v
erb Le
v
e
l
L–R P
a
n
R
e
v
erb Le
v
e
l
Dela
y Time
F
eedbac
k
Mod Depth
FX Le
v
e
l
Ring F
requency
Cutoff F
requency
L Ch Pitch
R Ch Pitch
Dela
y
Time
, Speed
T
remolo–Dela
y Balance
Pitch
Dela
y Time
F
requency
Depth
Dela
y Time
Ring–Dela
y
Balance
F
requency
Phaser–T
remolo Balance
Speed
FX Le
v
e
l
No
.
.
EFFECT GR
OUP
TITLE
BPM FX
BPM PTN
SYNTH
V
OCODER
SAMPLE/PLA
Y
( BPM P
A
TTERN )
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
T
empo Dela
y
3 Band
T
empo Dela
y
T
empo Dela
y + Isolator
Feedbac
k T
empo
empo
Dela
y
Gate Re
verb +
T
empo Dela
y
BPM Filter
BPM Phaser
BPM Flang
er
BPM Slice
BPM Step Phaser
BPM Looper
BPM Rh
ythm Gate
House
Beat Bo
x
T
ribal
Electr
o
Octa
ve Bass Synth
5th Dimension Synth
Har
d Sync Synth
Bleep Synth
Laser Sw
or
d
Sci-Fi
Ambient
Cosmic
Dr
op
Electric Bir
d
Spac
y
Horr
or
T
wilight
Siren
Sa
w OSC
w OSC
Sine OSC
V
oice OSC
P
ad Drum 1
P
ad Drum 2
High Pitc
h
Lo
w Pitc
w Pitc
h
A
uto T
uning
12
A
uto T
uning
P
entatonic
Root and 5th
Loop 1
Forwar
d Re
ver
se
Forwar
d Re
ver
se (High Speed)
Scratc
h + Filter
Loop 2
Forwar
d Re
ver
se + Dela
y
Scratc
h + BPM Dela
y
Loop + P
a
n
Forwar
d Re
ver
se + P
a
n
Time Stretc
h
1/4Beat–1/2Beat–1/3Beat–3/4Beat
F
eedbac
k
Lo
w–Mid–Hi
w–Mid–Hi
F
eedbac
k
Lo
w–Mid–Hi
w–Mid–Hi
Dr
y–W
y–W
et Balance
1/4Beat–1/2Beat–3/4Beat–1Beat
F
eedbac
k, Input Atten
uation
Lo
w–Mid–Hi
w–Mid–Hi
F
eedbac
k
2Beat–1Beat–1/2Beat–1/4Beat
Resonance
2Beat–1Beat–1/2Beat–1/4Beat
Resonance
8Beat–4Beat–2Beat–1Beat
F
eedbac
k
1Beat–1/2Beat–1/4Beat–1/8Beat
Depth
F
requency
Resonance
1/4Beat–1/2Beat–1Beat–2Beat
Cutoff F
requency
P
atter
n 1–2–3–4
Cutoff F
requency
P
atter
n 1–2–3–4
Dela
y Le
v
e
l
P
atter
n 1–2–3–4
Dela
y Le
v
e
l
Deca
y Time
Mod
Depth
Mod Depth
Dela
y Le
v
el, Deca
y
Time
Pitch
Cutoff F
requency
P
atter
n 1–2, Resonance
Cutoff F
requency
Pitch
Modulator Pitch
Pitch
Cutoff F
requency
Pitch
Modulation
Pitch
Modulation
Pitch
OSC Le
v
el, Dela
y Le
v
e
l
Pitch
Cutoff F
requency
Speed
Pitch
Pitch
Mod Depth
Pitch
OSC Le
v
el, Re
v
erb Le
v
e
l
Pitch
Echo F
eedbac
k
Pitch
Modulation
Speed
Echo Le
v
e
l
Pitch
Cutoff F
requency
Pitch
OSC Le
v
e
l
Pitch
F
o
rmant
Pitch
Snare–T
om Balance
Pitch
Bass Dr
um–Snare Balance
Pitch
2nd V
oice
Le
v
v
e
l
Pitch
2nd V
oice
Le
v
v
e
l
Tr
anspose (-12 – +12)
—
Tr
anspose (-12 – +12)
—
Pitch
1st–2nd V
oice
Balance
Loop End
Time
Pla
ybac
k Le
v
e
l
Re
v
v
erse–F
orw
ard
Pla
ybac
k Le
v
e
l
Re
v
v
erse–F
orw
ard
Pla
ybac
k Le
v
e
l
Scr
atch
Cutoff F
requency
Loop Star
t
Time
Pla
ybac
k Le
v
e
l
Re
v
v
erse–F
orw
ard
Dela
y Le
v
e
l
Scr
atch
Dela
y Le
v
e
l
L–R P
a
n
Loop End
Time
L–R P
a
n
R
e
v
erse–F
orw
ard
Slo
w–F
ast T
empo
Pla
ybac
k
Le
v
v
e
l
X AXIS
Y AXIS
X AXIS
Y AXIS
About the effect programs
— With programs 62–84, you can produce sound simply by
operating the touch pad, even if no audio is being input
from the input jacks.
— The VOCODER of programs 85–89 is an effect that
changes a human voice into a robot-like character. In
general, we recommend that you use a mic to input a human
voice when using these programs.
—
60.BPM LOOPER:
60.BPM LOOPER:
If the BPM is “59” or lower, 2BEAT
location will change to 1BEAT.
—
88.Auto Tuning Pentatonic:
88.Auto Tuning Pentatonic:
The effect at the position
where you first pressed the touch pad will be maintained,
and touch pad operations will not change the effect.
Informationen zu den Effektprogrammen
— Bei den Programmen 62–84 können Sie Klänge auch dann
erzeugen, wenn kein Audiosignal an den Eingangsbuchsen
anliegt, indem Sie einfach das Touch Pad bedienen.
— Der VOCODER der Programme 85–89 ist ein Effekt, der die
menschliche Stimme in eine roboterartige Stimme verwandelt.
Generell empfehlen wir, ein Mikrofon für die Eingabe einer
Stimme zu verwenden, wenn Sie diese Programme benutzen.
—
60. BPM LOOPER
60. BPM LOOPER
: Wenn BPM “59” oder weniger ist, ändert
sich 2BEAT zu 1BEAT.
—
88. Auto Tuning Pentatonic
88. Auto Tuning Pentatonic
: Die Wirkung an der Position, an
der Sie zuerst das Touch Pad berührt haben, wird beibehalten, und
der Effekt wird durch Betätigung des Touch Pad nicht geändert.
A propos des programmes d’effets
— Les programmes 62 à 84 permettent de produire des sons
simplement en touchant le panneau sensible, même si aucune
donnée audio n’est transmise par les bornes d’entrée.
— Le VOCODEUR des programmes 85 à 89 est un effet qui
transforme une voix humaine en une voix semblable à celle d’un
robot. En général, nous conseillons d'utiliser un micro pour entrer
des données de voix humaine en utilisant ces programmes.
—
60.BPM LOOPER
60.BPM LOOPER
: Si BPM est “59” ou inférieur, la position
2BEAT passera à 1BEAT.
—
88.Auto Tuning Pentatonic
88.Auto Tuning Pentatonic
: L’effet à la position où le panneau
sensible au toucher a d’abord été pressé sera maintenu, et les
opérations au panneau ne modifieront pas l’effet.