Korg triton-rack Information Guide

7 Next use “SMPL” to select the 100 BPM rhythm 

Repeat steps 2–5 to execute Time Slice and make 
any necessary adjustments.

In step 4, set “Source BPM” to 100.

8 As in step 6, press the [F6] (“Save”) key.

The save dialog box will appear.

For this example, set the “With” items as shown in 
the illustration.

Set “Program,” “Seq. Event,” “RPPR” to On
Program: I-E011
Multi: 000, Pattern: U01
RPPR Key: D2, Track: 02

Press the [F8] (“Save”) key to execute the save 
operation, and you will return to the dialog box of 
step 5. Press the [F7] (“Exit”) key to return to the 
screen of step 2.

9 Press the [MULTI] key to enter Multi mode, and 

The following multi data that you specified in steps 
6 and 8 will be specified and created automati-
cally.

After making sure that RPPR is turned on, play C#2 
and D2 on the keyboard of the connected MIDI 
instrument, and the time-sliced samples will play 
back at the tempo specified by “

 (Tempo)” without 

their pitch being changed.

For example if you set “

 (Tempo)” to 120, the 140 

BPM rhythm loop sample of C#2 and the 100 BPM 
rhythm loop sample of D2 will both play at a tempo 
of 120 BPM.

Set the MIDI channel of the connected MIDI 
instrument to match the MIDI channel selected for 
“Control Track.” By default, the multi will use 
channel 1.

If, when you change the tempo, the beat of the 
rhythm loop sample is not reproduced correctly or 
noise is obtrusive, the slice has not been sliced 
optimally in step 5. The precision at which the 
rhythm instruments are divided will have a major 
impact on the quality of the playback. Please 
adjust the divisions of each sample in step 5. 
(

If the silent portion between the samples is obtru-
sive when you play back at a slower tempo, or if 
noise occurs between the samples when you play 
back at a faster tempo, the result may sound 
unnatural. To avoid such problems, you can exe-
cute Time Stretch to adjust the length of the indi-
vidual samples to match the desired playback 
tempo in steps 6 and 8. (

PG p.96 9)

Depending on the end address settings etc. of the 
sample to be sliced, the number of measures in the 
pattern may increase, or the pattern playback in 
Multi mode may not loop accurately. In such cases, 
use the Multi mode utility “Pattern Parameter” 
(

PG p.64) to re-specify “Length.”

0 Settings for the RPPR function are made in the 

Use “M (Mode)” to specify the pattern playback 
mode that will be used when you play a note on a 
connected MIDI instrument, and set “Sync” to spec-
ify the pattern playback timing/synchronization 
mode when multiple keys are pressed. “Shift” is 
normally set to +00. (

•1.1: Play, Multi

Multi: 000, “RPPR On/Off” On

•1.1: Play, Prog..8

Track 01 Program: I-E010 (set in 

step 6)

•1.1: Play, Prog..8

Track 02 Program: I-E011 (set in 

step 8)

•5.1: RPPR, Pattern Pattern: U00 (created in step 6)
•5.1: RPPR, Pattern Pattern: U01 (created in step 8)
•5.1: RPPR, RPPR

KEY: C#2, Assign: On, Pattern: 

 U00, Track: 01 (created in 

step 6)

•5.1: RPPR, RPPR

KEY: D2, Assign: On, Pattern: 

, Track: 02 (set in step 

8)