Kodak ULTRA MAX 400 6034037 User Manual

Product codes
6034037
Page of 6
©Eastman Kodak Company, 2007
February 2009 
 E-7023
TECHNICAL DATA / COLOR NEGATIVE FILM
KODAK ULTRA MAX 400 Film
KODAK ULTRA MAX 400 Film is a worry-free, easy-to-use 
high speed film designed for snapshooters. ULTRA MAX 
400 Film gives you the flexibility you need to take 
consistently better pictures in more picture taking 
situations—better low-light picture quality with fewer 
underexposures, better results with zoom lenses, greater 
flash range, better "stop-action" photos, and reduced 
impact of camera shake.
Even when enlarged, ULTRA MAX 400 Film delivers 
excellent sharpness and fine grain for crisp, clear pictures. 
Optimized color precision technology provides 
consistently bright, vibrant colors with accurate skin-tone 
reproduction for natural-looking people pictures.  
ULTRA MAX 400 Film is designed for processing in 
KODAK FLEXICOLOR Chemicals for Process C-41. It is 
printing compatible with KODAK GOLD Films. 
STORAGE AND HANDLING
Load and unload your camera in subdued light.
Store unexposed film at 21
° C (70° F) or lower in the 
original sealed package.  Always store film (exposed or 
unexposed) in a cool, dry place.  Process film as soon as 
possible after exposure.
Protect negatives from strong light, and store them in a 
cool, dry place.  For more information on storing negatives, 
see KODAK Publication No. E-30, Storage and Care of 
KODAK Photographic Materials—Before and After 
Processing
.
DARKROOM RECOMMENDATIONS
Do not use a safelight.  Handle unprocessed film in total 
darkness.
EXPOSURE
Film Speed:  ISO/DIN 400/27
°
Use these speed numbers in the table below with cameras 
or meters  marked for ISO, ASA, or DIN speeds or exposure 
FEATURES
ADVANTAGES
BENEFIT
• Advanced 
T-GRAIN Emulsion 
technology
• Antenna  dye 
sensitization
• Advanced 
development 
accelerators
• Optimized color 
precision 
technology
• True 400 speed
• Outstanding 
underexposure 
latitude
• Long flash range
• Fine grain and 
high sharpness
• Great skin tones 
and superb color
• Better pictures 
under more 
conditions (inside, 
outside, bad light, 
fast action)
indexes.  Do not change the film-speed setting when you 
use a filter if your camera has through-the-lens metering.  
For critical work, make a series of test exposures.
Daylight 
Use the exposures in the table below for average frontlit 
subjects from 2 hours after sunrise to 2 hours before 
sunset.
*
Use f/5.6 for backlit close-up subjects.
Subject shaded from the sun but lighted by a large area of sky.
Lighting Conditions
Shutter 
Speed 
(seconds)
Lens 
Opening
Bright/Hazy Sun on Light Sand or 
Snow
1/500
f/16
Bright or Hazy Sun (Distinct 
Shadows)
*
1/500
f/11
Weak, Hazy Sun (Soft Shadows)
1/500
f/8
Cloudy Bright (No Shadows)
1/500
f/5.6
Heavy Overcast, Open Shade
1/500
f/4