Adobe CS5 5, Win, ES 65051511 User Manual
Product codes
65051511
4
Adobe Premiere Pro CS5
What’s New
If you’re working on a computer or laptop that is unable to play back challenging footage such as
4K RED files or sequences with extensive effects, Adobe Premiere Pro CS5 includes the ability to
adjust the playback resolution of your video in the Source Monitor or Program Monitor. Separate
Playback and Pause resolutions give you more control over monitoring—with higher resolution
footage such as 4K, you can set playback resolution to a lower value for smooth performance (for
example ½, 1/4, 1/8, or 1/16 resolution), and set Pause resolution to Full. This allows you to quickly check
the quality of focus or edge details when playback is paused—useful for when you don’t have the
luxury of an on-set HD monitor.
4K RED files or sequences with extensive effects, Adobe Premiere Pro CS5 includes the ability to
adjust the playback resolution of your video in the Source Monitor or Program Monitor. Separate
Playback and Pause resolutions give you more control over monitoring—with higher resolution
footage such as 4K, you can set playback resolution to a lower value for smooth performance (for
example ½, 1/4, 1/8, or 1/16 resolution), and set Pause resolution to Full. This allows you to quickly check
the quality of focus or edge details when playback is paused—useful for when you don’t have the
luxury of an on-set HD monitor.
Expanded native tapeless workflows
Adobe Premiere Pro CS5 builds upon the industry’s best native tapeless workflow by offering new
native format support for Sony XDCAM HD 50, Panasonic AVCCAM, DPX, and AVC-Intra. Native
support for RED R3D files has been enhanced, and native support for video shot with Canon,
Nikon, and other DSLR cameras added. These newly supported formats expand existing support
for variants of Panasonic P2; Sony XDCAM, XDCAM EX, and XDCAM HD; HDV; and AVCHD.
native format support for Sony XDCAM HD 50, Panasonic AVCCAM, DPX, and AVC-Intra. Native
support for RED R3D files has been enhanced, and native support for video shot with Canon,
Nikon, and other DSLR cameras added. These newly supported formats expand existing support
for variants of Panasonic P2; Sony XDCAM, XDCAM EX, and XDCAM HD; HDV; and AVCHD.
When you work with tapeless media in Adobe Premiere Pro, you gain two key advantages. First,
you save time, because with native support you’re able to start working with footage
immediately—sometimes directly from the camera—and thus eliminate the time-consuming
transcoding and rewrapping process typically required when you use the same media in other
NLEs. Second, you maintain the pristine image quality of your source footage throughout the
production process. Native support also means that the metadata coming from the camera
is retained.
you save time, because with native support you’re able to start working with footage
immediately—sometimes directly from the camera—and thus eliminate the time-consuming
transcoding and rewrapping process typically required when you use the same media in other
NLEs. Second, you maintain the pristine image quality of your source footage throughout the
production process. Native support also means that the metadata coming from the camera
is retained.
Since its introduction in the second half of 2008, Sony XDCAM HD 50 has become the
preferred format used to shoot many popular television shows. Also known as XDCAM HD422,
XDCAM HD 50 delivers 1920x1080 or 1280x720p video at a variety of frame rates. The
intra-frame format is a 4:2:2, 50Mbps variant of MPEG-2 long-GOP compression. You can use
Adobe Premiere Pro to natively edit XDCAM HD 50 footage.
preferred format used to shoot many popular television shows. Also known as XDCAM HD422,
XDCAM HD 50 delivers 1920x1080 or 1280x720p video at a variety of frame rates. The
intra-frame format is a 4:2:2, 50Mbps variant of MPEG-2 long-GOP compression. You can use
Adobe Premiere Pro to natively edit XDCAM HD 50 footage.
AVC-Intra provides production-quality, full-frame HD video at bit rates normally associated with
ENG (Electronic News Gathering). Developed by Panasonic, AVC-Intra offers twice the compression
efficiency of DVCPROHD. The intra-frame codec provides high-quality 10-bit encoding in two
modes: AVC-Intra 100 for full 1920×1080 4:2:2 mastering and archiving, and AVC-Intra 50 for
DVCPROHD-comparable quality at half the bit rate, doubling the record time on a P2 card and
other storage devices. With Adobe Premiere Pro CS5, you can natively edit AVC-Intra footage and
use Adobe Media Encoder to export AVC-Intra—available as a Panasonic P2 Movie output option.
ENG (Electronic News Gathering). Developed by Panasonic, AVC-Intra offers twice the compression
efficiency of DVCPROHD. The intra-frame codec provides high-quality 10-bit encoding in two
modes: AVC-Intra 100 for full 1920×1080 4:2:2 mastering and archiving, and AVC-Intra 50 for
DVCPROHD-comparable quality at half the bit rate, doubling the record time on a P2 card and
other storage devices. With Adobe Premiere Pro CS5, you can natively edit AVC-Intra footage and
use Adobe Media Encoder to export AVC-Intra—available as a Panasonic P2 Movie output option.
The latest DSLR cameras from Canon, Nikon, Panasonic, and others include the ability to shoot
full-frame 1920x1080 or 1280x720 HD video. Thanks to their exceptional image quality, low-light
capabilities, and the fact that you can shoot using standard 35mm DSLR lenses that give your
footage the look of expensive film-based cameras, these DSLRs are finding their way into video
productions at all levels. New in Adobe Premiere Pro CS5 is the ability to import and natively edit
video shot with the Canon 5D Mark II and 7D, as well as video shot with the Nikon D90, D300s, and
D3000 DSLR cameras. Similarly, you can import and natively edit AVCHD video shot with
Panasonic DMC-GH1 DSLR cameras, as well as AVCHD video from Sony, Panasonic, and Canon
video cameras. Use the Media Browser panels in Adobe Premiere Pro and OnLocation to
conveniently browse clips and view metadata, including metadata from Panasonic
AVCCAM cameras.
full-frame 1920x1080 or 1280x720 HD video. Thanks to their exceptional image quality, low-light
capabilities, and the fact that you can shoot using standard 35mm DSLR lenses that give your
footage the look of expensive film-based cameras, these DSLRs are finding their way into video
productions at all levels. New in Adobe Premiere Pro CS5 is the ability to import and natively edit
video shot with the Canon 5D Mark II and 7D, as well as video shot with the Nikon D90, D300s, and
D3000 DSLR cameras. Similarly, you can import and natively edit AVCHD video shot with
Panasonic DMC-GH1 DSLR cameras, as well as AVCHD video from Sony, Panasonic, and Canon
video cameras. Use the Media Browser panels in Adobe Premiere Pro and OnLocation to
conveniently browse clips and view metadata, including metadata from Panasonic
AVCCAM cameras.
RED Digital Cinema cameras capture extremely high-resolution raw files, enabling digital
production workflows that allow you to make image-processing decisions throughout the
post-production process. Adobe Premiere Pro provides full native support for RED R3D files, allowing
you to import them directly without transcoding, rewrapping, or installing additional software. Because
the files you import contain raw sensor data, you edit footage that is as close to what the camera
captured as possible—enabling you to work nondestructively on the color and look of your projects.
With CS5, you can work with content in all common RED R3D file permutations, including 2K, 3K, 4K,
production workflows that allow you to make image-processing decisions throughout the
post-production process. Adobe Premiere Pro provides full native support for RED R3D files, allowing
you to import them directly without transcoding, rewrapping, or installing additional software. Because
the files you import contain raw sensor data, you edit footage that is as close to what the camera
captured as possible—enabling you to work nondestructively on the color and look of your projects.
With CS5, you can work with content in all common RED R3D file permutations, including 2K, 3K, 4K,
Expand your creative toolset
Open up more creative possibilities
as you tackle a broad spectrum of
planning, production, and post-
production tasks with Adobe
Creative Suite 5 Production Premium.
Get more creative power at an
appealing price. In addition to
Adobe Premiere Pro, Encore,
and OnLocation, CS5 Production
Premium offers the latest versions
of Adobe After Effects, Photoshop
Extended, Flash Professional, Flash
Catalyst, Soundbooth, and Illustrator.
Move up to Production Premium to:
Create rich visual effects. After
Effects gives you everything you
need to create opening titles,
animated graphics, and visual
effects, as well as to create and
move images and video in 3D.
Move between components faster.
Breakthrough native 64-bit
performance in both After Effects and
Adobe Premiere Pro gives you faster
Dynamic Link, which eliminates
intermediate rendering for more
iterations in less time.
Create eye-popping 2D and 3D
assets. Prepare photographs, mattes,
backgrounds, and easy 3D extrusions
in Photoshop Extended with native
64-bit support and GPU acceleration.
Design interactive experiences.
Create video portfolios and other
engaging interactive media with
easy-to-use Flash Catalyst or with the
full power of Flash Professional.
Create and edit audio with ease.
Quickly polish voice-overs, customize
music, and remove noise from audio
in Soundbooth.
For more information, see Adobe
Creative Suite 5 Production Premium
What’s New.
Open up more creative possibilities
as you tackle a broad spectrum of
planning, production, and post-
production tasks with Adobe
Creative Suite 5 Production Premium.
Get more creative power at an
appealing price. In addition to
Adobe Premiere Pro, Encore,
and OnLocation, CS5 Production
Premium offers the latest versions
of Adobe After Effects, Photoshop
Extended, Flash Professional, Flash
Catalyst, Soundbooth, and Illustrator.
Move up to Production Premium to:
Create rich visual effects. After
Effects gives you everything you
need to create opening titles,
animated graphics, and visual
effects, as well as to create and
move images and video in 3D.
Move between components faster.
Breakthrough native 64-bit
performance in both After Effects and
Adobe Premiere Pro gives you faster
Dynamic Link, which eliminates
intermediate rendering for more
iterations in less time.
Create eye-popping 2D and 3D
assets. Prepare photographs, mattes,
backgrounds, and easy 3D extrusions
in Photoshop Extended with native
64-bit support and GPU acceleration.
Design interactive experiences.
Create video portfolios and other
engaging interactive media with
easy-to-use Flash Catalyst or with the
full power of Flash Professional.
Create and edit audio with ease.
Quickly polish voice-overs, customize
music, and remove noise from audio
in Soundbooth.
For more information, see Adobe
Creative Suite 5 Production Premium
What’s New.