Moog Music Recording Equipment MF-105 User Manual

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ENVELOPE GENERATORS
 
     Now that we have explained the MuRF’s filters, let’s proceed 
with some more definitions to explain the Animation function of 
the MuRF.
     The term “Envelope” is used to describe the changes that occur 
to a musical sound, from its start to its end. A musical sound can 
have a rapid onset, like the plucking of a string or the striking 
of a drum. It can also have a gradual onset, like a slowly bowed 
violin. With the term “Envelope”, the shape of the start of a sound 
is called the “Attack”.  The end of a sound can have different 
shapes as well – it can be abrupt, like on an organ, or it can be very 
gradual, fading out like a piano note held down. The shape of the 
end of a musical sound is called “Decay”. Both Attack and Decay 
are time-related, and can be measured in seconds or milliseconds. 
Figure 9 illustrates the components of an envelope. 
Figure 9 - a representation of a Volume Envelope
     An “Envelope 
Generator” is a circuit 
that creates a shape 
that corresponds to the 
changes in a musical 
sound. The signal that 
comes out of an Envelope 
generator is sent to a 
control, such as Volume, 
and is used to automatically turn up and down that control to shape 
the start and end of that musical sound.  An Envelope Generator is 
started by a trigger - a signal used to start the envelope shape. 
     In the MuRF, there are 8 Envelope generators, one for each 
filter, that shape the Volume of that Filter’s signal.  The shape of 
the Envelopes are all determined by the setting of the ENVELOPE 
Control.  When the Envelopes are started is determined by the 
PATTERN selected.  To understand that, let’s continue.