Moog Music Recording Equipment MF-105 User Manual
ENVELOPE GENERATORS
Now that we have explained the MuRF’s filters, let’s proceed
with some more definitions to explain the Animation function of
the MuRF.
The term “Envelope” is used to describe the changes that occur
to a musical sound, from its start to its end. A musical sound can
have a rapid onset, like the plucking of a string or the striking
of a drum. It can also have a gradual onset, like a slowly bowed
violin. With the term “Envelope”, the shape of the start of a sound
is called the “Attack”. The end of a sound can have different
shapes as well – it can be abrupt, like on an organ, or it can be very
gradual, fading out like a piano note held down. The shape of the
end of a musical sound is called “Decay”. Both Attack and Decay
are time-related, and can be measured in seconds or milliseconds.
Figure 9 illustrates the components of an envelope.
Figure 9 - a representation of a Volume Envelope
An “Envelope
Generator” is a circuit
that creates a shape
that corresponds to the
changes in a musical
sound. The signal that
comes out of an Envelope
generator is sent to a
control, such as Volume,
and is used to automatically turn up and down that control to shape
the start and end of that musical sound. An Envelope Generator is
started by a trigger - a signal used to start the envelope shape.
In the MuRF, there are 8 Envelope generators, one for each
filter, that shape the Volume of that Filter’s signal. The shape of
the Envelopes are all determined by the setting of the ENVELOPE
Control. When the Envelopes are started is determined by the
PATTERN selected. To understand that, let’s continue.