Behringer Ultratone K1800FX Data Sheet
ULTRATONE K3000FX/K1800FX/K900FX/K450FX
Version: 1.0 Date: 11.2006
© 2006 BEHRINGER International GmbH
3UHVHW
1R
())(&7
'HVFULSWLRQ
3UHVHW
1R
())(&7
'HVFULSWLRQ
60$//+$//
~ 1.0 s reverb decay
6+257'(/$<
like a short shattering
60$//+$//
~ 1.2 s reverb decay
6+257'(/$<
1-2 short impulse(s)
60$//+$//
~ 1.5 s reverb decay
6+257'(/$<
1-2 short impulse(s)
0,'+$//
~ 1.8 s reverb decay
0,''(/$<
Classic for up-tempo music (115-125 BPM)
0,'+$//
~ 2.0 s reverb decay
0,''(/$<
Classic for mid-tempo music (105-115 BPM)
0,'+$//
~ 2.5 s reverb decay
0,''(/$<
Classic for slow-tempo music (95-105 BPM)
%,*+$//
~ 2.8 s reverb decay
/21*'(/$<
Classic for reggae-tempo music (85-95 BPM)
%,*+$//
~ 3.2 s reverb decay
/21*'(/$<
Classic for dub-tempo music (75-85 BPM)
%,*+$//
~ 4 s reverb decay
/21*'(/$<
Extra long (nearly endless) delay effect
&+85&+
~ 7 s reverb decay
/21*(&+2
Extra long canyon echo effect
60$//5220
~ 0.5 s reverb decay
62)7&+2586
unobtrusive effect
60$//5220
~ 0.8 s reverb decay
62)7&+2586
unobtrusive effect with other color
60$//5220
~ 1.0 s reverb decay
:$50&+2586
analog sounding
0,'5220
~ 1.2 s reverb decay
:$50&+2586
analog sounding with other color
0,'5220
~ 1.5 s reverb decay
3+$7&+2586
strong effect
0,'5220
~ 1.8 s reverb decay
3+$7&+2586
strong effect with other color
%,*5220
~ 2.0 s reverb decay
&/$66,&)/$1*(5
standard flanger effect
%,*5220
~ 2.2 s reverb decay
:$50)/$1*(5
more analog touch
%,*5220
~ 2.5 s reverb decay
'((3)/$1*(5
deep modulation impression
&+$3(/
~ 3 s reverb decay
+($9<)/$1*(5
extreme strong effect
6+2573/$7(
~ 1.0 s reverb decay
&/$66,&3+$6(5
standard phaser effect
0,'3/$7(
~ 1.5 s reverb decay
:$503+$6(5
more analog touch
/21*3/$7(
~ 2.2 s reverb decay
'((33+$6(5
deep modulation impression
92&$/3/$7(
~ 1.2 s reverb decay
+($9<3+$6(5
extreme strong effect
'58063/$7(
~ 1.0 s reverb decay
3,7&+6+,)7'(781(
2-3-times detune for a wider sound
*2/'3/$7(
~ 1.2 s reverb decay
3,7&+6+,)7
minor third added voice
*2/'3/$7(
~ 2.0 s reverb decay
3,7&+6+,)7
major third added voice
6+257635,1*
~ 1.0 s reverb decay
3,7&+6+,)7
quint above added voice
0,'635,1*
~ 2.0 s reverb decay
3,7&+6+,)7
fourth down added voice
/21*635,1*
~ 2.5 s reverb decay
3,7&+6+,)7
1 octave down added voice
*$7('5(96+257
~ 0.8 s gate time
&+25865(9(5%
Soft chorus + mid-short reverb
*$7('5(90,'
~ 1.2 s gate time
&+25865(9(5%
Deep chorus + mid-long reverb
*$7('5(9/21*
~ 2.0 s gate time
)/$1*(55(9(5%
Soft flanger + mid-short reverb
*$7('5(9;;/
~ 3.0 s gate time
)/$1*(55(9(5%
Deep flanger + mid-long reverb
*$7('5(9'5806
~ 0.8 s gate time
3+$6(55(9(5%
Soft phaser + mid-short reverb
*$7('5(9'5806
~ 1.2 s gate time
3+$6(55(9(5%
Deep phaser + mid-long reverb
5(9(56(6+257
~ 0.8 s reverb raise
3,7&+5(9(5%
Soft voice detuning + mid-short reverb
5(9(56(0,'
~ 1.2 s reverb raise
3,7&+5(9(5%
Fourth above interval + mid-long reverb
5(9(56(/21*
~ 2.0 s reverb raise
'(/$<5(9(5%
Short delay + mid-short reverb
5(9(56(;;/
~ 3.0 s reverb raise
'(/$<5(9(5%
Mid-long delay + mid-long reverb
($5/<5()/(&7,21
short
'(/$<*$7('5(9
Short delay + mid-long gated reverb
($5/<5()/(&7,21
mid-short
'(/$<5(9(56(5(9
Mid-short delay + mid-long reversed reverb
($5/<5()/(&7,21
mid-long
'(/$<&+2586
Short delay + soft chorus
($5/<5()/(&7,21
long
'(/$<&+2586
Mid-long delay + deep chorus
6+257$0%,(1&(
short
'(/$<)/$1*(5
Short delay + soft flanger
0,'$0,(1&(
mid-short
'(/$<)/$1*(5
Mid-long delay + deep flanger
/,9($0%,(1&(
mid-short
'(/$<3+$6(5
Short delay + soft phaser
%,*$0%,(1&(
mid-long
'(/$<3+$6(5
Mid-long delay + deep phaser
67$',80
long
'(/$<3,7&+
Short delay + fourth down interval
*+267$0%,(1&(
extra long special fx
'(/$<3,7&+
Mid-long delay + minor third above interval
3+$6(3,7&+
())(&735(6(76
*$7(5(9
($5/5()
+$//
5220
3/$7(
08/7,
08/7,
'(/$<
&+2586