Behringer Virtualizer 3D FX2000 User Manual
22
VIRTUALIZER 3D FX2000 User Manual
Edit A
Edit B
Edit C
Edit D
Edit E
Edit F
Mix
Name
Min.
Def.
Max.
Min. Def.
Max.
Min.
Def.
Max.
Min.
Def.
Max.
Min.
Def.
Max.
Min.
Def.
Max.
Min.
Def.
Max.
Dynamics
31
Compressor
Ratio
Threshold
Makeup-Gain
Soft Knee
Attack
Release
Mix
1.25
3.75
100
-60
-28 dB
0
+0.0
+3.0 dB
+24.0
0
4
6
0.005
0.037 s
0.200
0.050
0.183 s
1.000
0 (off)
100% 100 (on)
32
Expander
Ratio
Threshold
Makeup-Gain
Soft Knee
Attack
Release
Mix
1.25
3.25
100
-60
-9 dB
0
+0.0
+4.5 dB
+24.0
0
3
6
0.005
0.049 s
0.200
0.050
0.243 s
1.000
0 (off)
100% 100 (on)
33
Gate
Hold
Threshold
Attack
Release
Range
—
Mix
0.001
0.054 s
1.000
Off, -59 -12 dB -1, Mute
0.005
0.005 s
0.200
0.005
0.031 s
0.500
Mute, -59 Mute
-1, 0 dB
—
—
—
0 (off)
100% 100 (on)
34
Analog
Compr./
Limiter
Ratio
Threshold
Makeup-Gain
Limiter Thresh.
Attack
Release
Mix
1.50
3.00
100
-48
-24 dB
0
+0.0
+6.0 dB
+24.0
-24.0
0.0 dB
0.0
0.001
0.020 s
0.150
0.050 s
Auto
0.977s,
Auto
0 (off)
100% 100 (on)
35
Ultramizer
Density
Range
Speed
Split Frequency
Stereo FX
Enhancer Freq.
Band
1
36
100
0
9 dB
24
1
38
100
50
190 Hz
10.0 k
0
20%
100
2.50 k
12.5 kHz
15.0 k
Low
Wide
High
36
Denoiser
LP-Frequency
LP-Depth
LP-Speed
Gate Threshold
Gate Hold
Gate Resp.
Mix
40
916 Hz
20.0 k
0
75 %
100
0.001
0.243 s
2.000
Off, -59
-30 dB
-1, Mute
0.001
0.035 s
1.000
0.005
0.037 s
0.200
0 (off)
100% 100 (on)
37
De-Esser
Ratio
Threshold
Makeup-Gain
Frequency
Attack
Release
Band
1.50
3.00
100
-48
-36 dB
0
+0.0
+6.0 dB
+24.0
500
2.78 kHz
15.0 k
0.001
0.020 s
0.150
0.050 s
Auto
0.977s,
Auto
Low
Wide
High
38
Wave
Designer
Attack Left
Release Left
Attack Right
Release Right
Gain Left
Gain Right
Mix
-50
-25
+50
-50
+25
+50
Ste., -50
Stereo
+50
Ste., -50
Stereo
+50
Auto, -24
Auto
+24 dB
Auto,
-24
Auto
+24 dB
0 (off)
100% 100 (on)
Psycho Accoustic
39
Exciter
Frequency
Filter Q
Harmonics
Timbre
Harmon. Kick
—
Mix
1.00
7.09 kHz
10.0
1
1
20
0
25%
100
0
50%
100
Off
On
On
—
—
—
0
40%
100
40
Enhancer
High Freq.
High Gain
Bass Width
Bass Gain
Mid Q
Mid Gain
Gain
1
42
50
0
30 %
100
-50
+30
+50
0
35 %
100
1
30
50
0
10%
100
-16
-1 dB
+16
41
Ultra Bass
Subbass Freq.
Subbass Level
Harmon. Freq.
Harmon. Level
Harmon. Density
Bass Gain
Mix
80.0
130.6 Hz
150.0
0
25 %
100
30.0
201.2 Hz
250.0
0
50%
100
1
7
7
0
60%
100
0 (off)
100% 100 (on)
42
Stereo
Imager
Spread
MS-Balance
Spread Mode
Gain
Stereo Balance
Mono Balance
Mix
0
50%
100
0
75%
100
Spread
Space
Space
-6.0
+1.0 dB
+6.0
0
50%
100
0
50%
100
0 (off)
100% 100 (on)
43
Ultra Wide
Center
Spread
X-Over Frequ.
Gain
—
—
Mix
0
25%
100
0
50%
100
100
511 Hz
10.0 k
-12.0
-6.0 dB
+12.0
—
—
—
—
—
—
0 (off)
100% 100 (on)
44 Binauralizer
Center
Space
Mode
Gain
Speaker Distance
Speaker Compens.
Mix
0
40%
100
0
32%
100
Phones Speakers Speakers
-12.0
+5.0 dB
+12.0
0
4
18
25
50 %
100
0 (off)
100% 100 (on)
Filter / EQ
45
Auto Filter
Base Freq.
Depth
Type
Resonance
Attack
Release
Mix
100
368 Hz
15.0 k
0
30 %
100
LP.12,
LP.24,
LP.24,
HP.12,
HP.24
BP.12
BP.12,
BP.24
1
34
50
0.005
0.022 s
2.000
0.005
0.061 s
2.000
0
100%
100
46
LFO Filter
Base Freq.
Depth
Type
Resonance
Speed
Wave
Mix
100
485 Hz
15.0 k
0
85%
100
LP.12
LP.12
LP.24,
HP.12,
HP.12,
HP.24,
BP.12,
BP.24
1
35
50
0.10
4.84 Hz
20.00
Sine,
Triangle
Saw Down
Saw Up,
Saw Down,
Square
0
100%
100
47
Parametric
EQ
Gain 1
Freq. 1
Q 1
Gain 2
Freq. 2
Q 2
Gain
-16
+4 dB
+16
200
489 Hz
10.0 k
0.50
1.16
10.00
-16
+6 dB
+16
200 Hz 2.58 kHz 10.0 kHz
0.50
1.03
10.00
-16
-3 dB
+16
48
Graphic EQ
200 Hz
400 Hz
800 Hz
1.6 kHz
3.2 kHz
6.4 kHz
Gain
-16
+3 dB
+16
-16
-1 dB
+16
-16
+3 dB
+16
-16
-1
+16
-16
+1 dB
+16
-16
+3 dB
+16
-16
-2 dB
+16
Distortion / Amp Simulation
49
Vocal
Distortion
Distortion
Delay Gain
Delay
Flanger Level
Type
Flanger Speed
Mix
1
51
100
0
30%
100
0.050
0.187 s
1.000
0
100%
100
1
3
3
0.050
0.202 Hz
2.000
0
100%
100
50
Tube
Distortion
Drive
Pre HP
Pre LP
Damp
Tube Select
Mid EQ
Mix
1
50
100
50
120 Hz
1.00 k
1.00
2.07 kHz
15.0
15.0
7.11 kHz
1.00
1
2
3
-16
-1 dB
+16
0
100%
100
51
Guitar Amp
In Gain
Drive
Presence
Gain
Cabinet Type
Mid EQ
Mix
1
60
100
1
70
100
1
70
100
1
75
100
1
2
8
-16
0 dB
+16
0
100%
100
52
Tri Fuzz
In Gain
Low-Fuzz
Mid-Fuzz
Hi-Fuzz
Drive
Hi Damp
Mix
1
80
100
1
51
100
1
55
100
1
51
100
1
65
100
1
50
100
0
100%
100
53
Speaker
Simulation
Type
EQ-Gain
EQ-Frequency
EQ-Q
—
—
Mix
1
5
8
-16
0 dB
+16
200 Hz 1.44 kHz 10.0 kHz
0.50
2.24
10.00
—
—
—
—
—
—
0
100%
100
54
Ring
Modulator
Speed
Depth
Carrier-Freq.
Tone
Mode
Slewing
Mix
LFO: 0.10 Hz
ENV: 0.005 s
ENV: 0.005 s
RAND +
SINE: 1.0 Hz
0.40 Hz
LFO: 10.00 Hz
ENV: 0.500 s
RAND +
SINE: 100.0 Hz
0
25%
100
100 Hz
308 Hz 10.0 kHz 200 Hz
2.00 kHz
20.0 kHz
LFO
LFO
ENVELOPE,
RANDOM,
SINE
0
0%
100
0
100%
100
55
LoFi
Bits Resolution
Tone
Buzz Level
Noise Gain
Noise HP
Noise LP
Mix
24
7 bit
6
20.0
kHz
6.96 kHz 400 Hz
0
30%
100
0
35%
100
20
159 Hz
20.0 k
400 Hz
10.3 kHz
20.0 kHz
0
100%
100
Tab. 7.1: Overview of the individual parameters of effects types (continued on next page)