Boss Audio Systems GT-10B User Manual

 

This effect adds delayed sound to the direct sound, giving 
more body to the sound or creating special effects.

 

Off, On

Turns the DELAY Effect on/off.
Pressing [DELAY] switches On and Off.

 

This selects which type of delay.

 

• If you switch patches with the Type set to either Dual-S, Dual-P, or Dual-

L/R and then begin to play immediately after the patches change, you 
may be unable to attain the intended effect in the first portion of what 
you perform.

• The stereo effect is cancelled if a monaural effect or COSM amp is 

connected after a stereo delay effect.

 

Single

This is a simple monaural delay.

Pan

This delay is specifically for stereo output. This 
allows you to obtain the tap delay effect that di-
vides the delay time, then deliver them to L and 
R channels.

 

fig.04-050

 

Stereo

The direct sound is output from the left chan-
nel, and the effect sound is output from the 
right channel.

Dual-S
(Dual Series)

This is a delay comprising two different delays 
connected in series. Each delay time can be set 
in a range from 1 ms to 1700 ms.

 

fig.04-051

 

Dual-P
(Dual Parallel)

This is a delay comprising two delays connect-
ed in parallel. Each delay time can be set in a 
range from 1 ms to 1700 ms.

 

fig.04-0070

 

Dual-L/R

This is a delay with individual settings avail-
able for the left and right channels. Delay 1 goes 
to the left channel, Delay 2 to the right.

 

fig.04-0080

 

Reverse

This produces an effect where the sound is 
played back in reverse.

Analog

This gives a mild analog delay sound. The de-
lay time can be set within the range of 1 to 3400 
ms

INPUT

OUTPUT L

OUTPUT R

Feedback

Dly Time

EffectLev

Tap Time

 

Tape

This setting provides the characteristic waver-
ing sound of the tape echo. The delay time can 
be set within the range of 1 to 3400 ms.

Warp

This simultaneously controls the delay sound’s 
feedback level and volume to produce a totally 
unreal delay.

 

fig.04-0050

 

Modulate

This delay adds a pleasant wavering effect to 
the sound.

 

1ms–3400ms,

BPM

–BPM

This determines the delay time.

When set to BPM, the value of each parameter will be set according 
to the value of the “Master BPM” (p. 122) specified for each patch. 
This makes it easier to achieve effect sound settings that match the 
tempo of the song.

 

• If, due to the tempo, the time is longer than the range of allowable 

settings, it is then synchronized to a period either 1/2 or 1/4 of that time.

• If you tap [CATEGORY/ENTER], the delay time will change to match 

the timing of your tapping.

 

0–100

This sets the amount of delay sound re-
turned to the input.
A higher value will increase the number of 
the delay repeats.

 

Feedback is returning a delay signal to the 
input. 

 

700Hz–11.0kHz, 
Flat

This sets the frequency at which the high 
cut filter begins to take effect. When “Flat” 
is selected, the high cut filter will have no 
effect.

 

0–120

Adjusts the volume of the delay sound.

 

0–100

Adjusts the volume of the direct sound.

INPUT

OUTPUT

F.B. Depth

Level

Dep

Rise Time

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