Classe Audio CDP-300 User Manual
13
Rear Panel
1
Analog Outputs
In most installations, you will want to use both the analog and the digital
outputs of the CDP-300. Doing so will allow you to take full advantage
of high resolution multichannel formats such as DVD-Audio, while also
passing the multichannel digital output to your A/V preamplifier when
that is more appropriate.
In most installations, you will want to use both the analog and the digital
outputs of the CDP-300. Doing so will allow you to take full advantage
of high resolution multichannel formats such as DVD-Audio, while also
passing the multichannel digital output to your A/V preamplifier when
that is more appropriate.
The front left and right channels are supported with both balanced analog
outputs on XLR connectors and single-ended analog outputs on RCA
connectors.
outputs on XLR connectors and single-ended analog outputs on RCA
connectors.
using the balanced outputs
If your processor has balanced inputs for the front left and right channels,
connect these XLR outputs to them using high quality balanced
interconnects. Your Classé dealer can provide assistance in selecting
appropriate balanced cables for your system.
connect these XLR outputs to them using high quality balanced
interconnects. Your Classé dealer can provide assistance in selecting
appropriate balanced cables for your system.
Balanced audio interconnections were originally developed in the
professional audio world, for preserving the delicate nuances of extremely
small microphone-level signals. For many years now, they have also been
used by performance-oriented consumer companies like Classé to preserve
every nuance of the finest audio performances in your collection.
professional audio world, for preserving the delicate nuances of extremely
small microphone-level signals. For many years now, they have also been
used by performance-oriented consumer companies like Classé to preserve
every nuance of the finest audio performances in your collection.
Technically, balanced audio interconnections provide two distinct benefits:
they double the signal’s strength as it travels from one component to the
next, increasing the potential signal to noise ratio by 6 dB; they also do an
excellent job of rejecting noise and interference that might otherwise be
picked up between the components, due to either EMI (electromagnetic
interference) or RFI (radio frequency interference). In our modern world
of wireless telecommunications, there is more potential interference
floating around us than ever before—it makes sense to keep it all out of
our music and movie soundtracks.
they double the signal’s strength as it travels from one component to the
next, increasing the potential signal to noise ratio by 6 dB; they also do an
excellent job of rejecting noise and interference that might otherwise be
picked up between the components, due to either EMI (electromagnetic
interference) or RFI (radio frequency interference). In our modern world
of wireless telecommunications, there is more potential interference
floating around us than ever before—it makes sense to keep it all out of
our music and movie soundtracks.