Arturia MOOG MODULAR 2.6 User Manual
96
ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL
The fourth output, for which the smooth can also be set with a “smooth” knob, is managed in
the following manner. It takes the value of one of the 3 outputs in function with the current
step and the type of progression specified by the “Mode output 4” selector.
When placed in the “none” position, the fourth output takes the output value selected by the
“Forcing Line” button and its corresponding trigger input. It is therefore possible to have 3
different sequences, activated either manually by a click or dynamically by a trigger.
When the “Mode Output 4” selector is placed on the “L123” position, the fourth output will
automatically cross outputs 1,2 and 3 each time the current step arrives on the eighth step. In
this manner, it is possible to have a 24-step sequence. Placed at the “L321” position, the lines
will be done in the inverse order. In the same manner, on the “L12” “L13” or “L23” positions,
the fourth output will cover lines 1 and 2, or 1 and 3, or finally 2 and 3, thus obtaining 16 step
sequences.
When the “Mode Output 4” selector is placed on the “C123” position, the fourth output covers
lines 123, but the change takes place at every sequencer clock impulse. We just need to wait
for 3 impulses at every step, to alternatively have lines 1,2 and 3 of each of the steps. The
functioning is the same on positions “C321”, “C12”, “C13” and “C23”.
On the “Rand” position, the choice of fourth output is random.
the following manner. It takes the value of one of the 3 outputs in function with the current
step and the type of progression specified by the “Mode output 4” selector.
When placed in the “none” position, the fourth output takes the output value selected by the
“Forcing Line” button and its corresponding trigger input. It is therefore possible to have 3
different sequences, activated either manually by a click or dynamically by a trigger.
When the “Mode Output 4” selector is placed on the “L123” position, the fourth output will
automatically cross outputs 1,2 and 3 each time the current step arrives on the eighth step. In
this manner, it is possible to have a 24-step sequence. Placed at the “L321” position, the lines
will be done in the inverse order. In the same manner, on the “L12” “L13” or “L23” positions,
the fourth output will cover lines 1 and 2, or 1 and 3, or finally 2 and 3, thus obtaining 16 step
sequences.
When the “Mode Output 4” selector is placed on the “C123” position, the fourth output covers
lines 123, but the change takes place at every sequencer clock impulse. We just need to wait
for 3 impulses at every step, to alternatively have lines 1,2 and 3 of each of the steps. The
functioning is the same on positions “C321”, “C12”, “C13” and “C23”.
On the “Rand” position, the choice of fourth output is random.
7.3
T
HIRD
S
ECTION
A small section has been added bellow the connection section. It regroups all of the external
input-outputs on the sequencer, and the key follow outputs. You will also find an interrupter
which activates A440.
The output jacks “External audio” are used to treat the external signals and use the Moog
Modular V as an effect.
The “Out” jacks correspond to the two left and right output jacks on the Moog Modular V. It is
thus possible to loop it to itself and obtain special effects.
input-outputs on the sequencer, and the key follow outputs. You will also find an interrupter
which activates A440.
The output jacks “External audio” are used to treat the external signals and use the Moog
Modular V as an effect.
The “Out” jacks correspond to the two left and right output jacks on the Moog Modular V. It is
thus possible to loop it to itself and obtain special effects.
Internal connections
7.4
F
OURTH SECTION
The fourth section contains a virtual keyboard, control for the 4 key follows, 2 modulation
surfaces, and a few shortcuts to the most frequently used settings (Envelope for the 2 output
VCA and cut-off frequency settings for the 3 filters). You will also find general settings like
choice of Monophonic/polyphonic, the “retrigg” mode or “legato”.
It is also in this mode that we find the volume control and general tuning.
surfaces, and a few shortcuts to the most frequently used settings (Envelope for the 2 output
VCA and cut-off frequency settings for the 3 filters). You will also find general settings like
choice of Monophonic/polyphonic, the “retrigg” mode or “legato”.
It is also in this mode that we find the volume control and general tuning.