Behringer V-Tone Guitar Driver DI GDI21 Product Datasheet

Guitar Amp Modeler/
Direct Recording Preamp/DI Box

Guitar Stompboxes

V-TONE GUITAR DRIVER DI
GDI21

Product Information Document

 

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Analog guitar modeling preamp/
stompbox with DI recording output

 

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This BEHRINGER product has been 
designed to compete head to head 
with leading products on the market

 

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Authentic V-TONE modeling 
technology for 3 classic guitar amps, 
3 gain modes and 3 mic placements 
for a total of 27 confi gurations. 
Easily achieve the most sought-
after tube amp sounds from clean, 
crunch to super-fat distortion

 

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Provides a truckload of great amps 
in a single stomp box—simply 
choose your favourite sounds with a 
fl ick of a switch

 

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Precise level and drive control 
plus musical 2-band EQ for 
ultimate sound

 

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Dual DI mode for either direct 
recording output with speaker 
simulation or standard active direct 
injection box in bypass mode

 

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Output available on ¼'' TS 
or balanced, gold-plated 
XLR connectors

 

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Ground lift switch eliminates typical 
ground loop problems

Our authentic V-TONE modeling 

technology recreates 3 of the most 

sought-after classic guitar amps, with 

3 gain modes and 3 mic placements for 

a total of 27 possible confi gurations. 

You get a truckload of great amps in 

one convenient stomp box, allowing 

you to go from clean or crunch to 

super-fat distortion in a fl ash. And if 

you don’t want to use the emulation 

feature, just step on the switch and the GDI21 functions as a superb active 

DI box.

Operation is simple; just choose the type 
of amp, from the smooth Calif (Californian), 
the bright, punchy Twed (Tweed), or the 
Brit (British) with its incredible sustain 
and aggressive mids. Then select the gain 
mode, Cln (clean), Hot or Hi G (high gain). 
Lastly, choose the mic placement from the 
three available selections. This feature is a 
BEHRINGER exclusive, allowing you to place 
the “virtual mic” in any of three positions:

X)—At the edge of the speaker 

cone, producing a smoother, softer sound 
with less midrange  content

2. (CNTR)—Positioned at the center of the 

cone, for more upper mids and beefy low-end

3. (CLSIC)—Slightly in front of the cabinet, for high midrange content with tons 

of defi nition