Behringer MX2004A User Manual

Page of 26
15
EURORACK MX2004A
                            Keyboard Mixer
Source
Mic/Line Mono/Stereo
Input
MIDI Instrument #1
Line
Mono
1
MIDI Instrument #2
Line
Mono
2
MIDI Instrument #3
Line
Mono
3
MIDI Instrument #4
Line
Mono
4
MIDI Instrument #5
Line
Mono
5
MIDI Instrument #6
Line
Mono
6
MIDI Instrument #7
Line
Mono
7
MIDI Instrument #8
Line
Mono
8
MIDI Sampler #1
Line
Stereo
9/10
MIDI Sampler #2
Line
Stereo
11/12
MIDI Synth #1
Line
Stereo
13/14
MIDI Synth #2
Line
Stereo
15/16
Effect #1
Stereo
Aux 1
Effect #2
 
Stereo
Aux 2
Aux out 1
> Effect (post-fader)
Aux out 2
> Effect (post-fader)
Main Mix out L
> P.A.
Main Mix out R
> P.A.
Monitor out L 
> Monitor system
Monitor out R 
> Monitor system
Tab. 6.1: Keyboard mixing, live or in the studio
6.2 Live gig with simultaneous 2-track recording
                                  Live Gig with 2-TK recording
Source
Routing
Mic/Line
Mono/Stereo
Input
Vocals
Main Mix
Mic
Mono
1
Vocals
Main Mix
Mic
Mono
2
Vocals
Main Mix
Mic
Mono
3
Vocals
Main Mix
Mic
Mono
4
Alt 3-4 out 
Main Mix
Line
Mono
5
Alt 3-4 out 
Main Mix
Line
Mono
6
Bass Drum 
Alt 3-4
Mic
Mono
7
Drum Overhead 
Alt 3-4
Mic
Mono
8
Guitar Alt 
3-4
Line
Stereo
9/10
Bass Alt 
3-4
Line
Stereo
11/12
Keyboard #1 
Main Mix
Line
Stereo
13/14
Keyboard #2 
Main Mix
Line
Stereo
15/16
Effect
Stereo
Aux 1
CD player
Stereo
Aux 2
Alt 3-4 out (Instruments) > 2-TK input                                           
Aux out 1
> Cue 1 (pre-fader)                                          
Aux out 2
> Effect (post-fader)                                          
Main Mix out L
> Recording (DAT L)                                       
Main Mix out R
> Recording (DAT R)                                  
Monitor out L 
> P.A.                                                        
Monitor out R 
> P.A.                                                   
Tab. 6.2: Live gig with 2-track recording
Here some or all mono channels are likely to be tied up with stage microphones. Carefully position these so as
to minimize feedback. Try to keep the stage volume as low as possible, as stage sound can interfere with and
6. APPLICATIONS