Behringer Flanger Machine FL600 Owner's Manual
FLANGER MACHINE FL600
Ultimate Flanger Modeling Effects Pedal
Thank you for showing your confidence in us by purchasing the BEHRINGER FLANGER MACHINE FL600.
This high-quality effects pedal delivers 11 extraordinary flanger modes with extensive parameter control that
allow for maximum creativity so you always have the best sound regardless of the situation.
This high-quality effects pedal delivers 11 extraordinary flanger modes with extensive parameter control that
allow for maximum creativity so you always have the best sound regardless of the situation.
1. Controls
(1)
The TYPE switch lets you choose between
a high-fidelity, DIGI(tal) flanger with a
flat frequency response, a vintage-type,
ANALOG bucket-brigade delay with filtered
frequency response and a classic studio
flanger from the ‘70s (TAPE).
a high-fidelity, DIGI(tal) flanger with a
flat frequency response, a vintage-type,
ANALOG bucket-brigade delay with filtered
frequency response and a classic studio
flanger from the ‘70s (TAPE).
(2)
With the TIME control, you can adjust the
flanger delay time. Longer delay times produce
a sharper, more detuned sound, very close to a
chorus effect.
flanger delay time. Longer delay times produce
a sharper, more detuned sound, very close to a
chorus effect.
(3)
The SPEED control determines the speed of the
flanger effect. In CHORUS, VINTAGE, SINE,
SAW UP and SAW DOWN modes, turning this
control to the MIN(imum) brings the LFO to a halt.
flanger effect. In CHORUS, VINTAGE, SINE,
SAW UP and SAW DOWN modes, turning this
control to the MIN(imum) brings the LFO to a halt.
(4)
The F.BACK control determines the amount of
output signal fed back into the flanger input in
order to confer more or less intensity to the effect.
output signal fed back into the flanger input in
order to confer more or less intensity to the effect.
(5)
The blue ON/BATT LED illuminates when the effect is activated. It also serves as a battery level indicator.
(6)
Turn up the DEPTH control to achieve a fuller and deeper effect sound.
(7)
This control lets you choose between different flanger effect modes:
TRG DWN: The modulation signal triggers a linearly falling wave envelope with a falling time
TRG DWN: The modulation signal triggers a linearly falling wave envelope with a falling time
determined by the SPEED control.
TRG UP: The same as TRG DWN but with a linearly rising wave envelope.
CHORUS: The signal is modulated by a wide-range, triangular wave with a large offset producing a chorus-like effect.
VINTAGE: A simulation of the classic MXR flanger.
RANDOM: A random value generator produces a modulation signal whose level varies with each cycle
TRG UP: The same as TRG DWN but with a linearly rising wave envelope.
CHORUS: The signal is modulated by a wide-range, triangular wave with a large offset producing a chorus-like effect.
VINTAGE: A simulation of the classic MXR flanger.
RANDOM: A random value generator produces a modulation signal whose level varies with each cycle
of the LFO, which has a smoothing filter applied to the output.
STEP: The same as RANDOM but without the smoothing filter at the LFO’s output.
SINE: The signal is modulated by a sine wave.
ENV UP: The flanger’s delay time is modulated according to the amplitude variations in the input signal as
STEP: The same as RANDOM but without the smoothing filter at the LFO’s output.
SINE: The signal is modulated by a sine wave.
ENV UP: The flanger’s delay time is modulated according to the amplitude variations in the input signal as
detected by an envelope follower.
ENV DOWN: The inverted version of ENV UP.
SAW UP: A positive sawtooth wave modulates the signal.
SAW DOWN: A negative sawtooth wave modulates the signal.
ENV DOWN: The inverted version of ENV UP.
SAW UP: A positive sawtooth wave modulates the signal.
SAW DOWN: A negative sawtooth wave modulates the signal.
(8)
POL lets you choose between NEG(ative) and POS(itive) feedback flanger modes.
(9)
Use the two 1/4" TS connectors IN A and IN B to plug in a stereo input signal. For mono use connect to IN A.
(10)
The two 1/4" TS connectors OUT A and OUT B send the signal to your amp. Use both outputs to achieve a
full stereo effect. For mono use, connect to OUT A.
In CHORUS, VINTAGE, SINE, SAW UP and SAW DOWN stereo modes, both channel signals are processed
In CHORUS, VINTAGE, SINE, SAW UP and SAW DOWN stereo modes, both channel signals are processed
with inverted phase LFOs. In SAW UP and SAW DOWN mono modes, both delay lines are mixed to create a
continuous rise/fall signal.
(3)
(2)
(7)
(8)
(11)
(10)
(9)
(5)
(1)
(4)
(6)