Behringer Europower PMP1000 Owner's Manual

EUROPOWER PMP6000/PMP4000/PMP1000 User Manual

EUROPOWER PMP6000 REAR PANEL

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A detailed description of all functions of your power mixer can be found in the 

following chapters. Please also refer to the enclosed sheet with the numbered 

illustrations to get a good overview of the control layout.

(1) 

Use the GAIN control to adjust the input gain. Be sure to set this control 

fully counter-clockwise before you connect or disconnect a signal source to 

an input. GAIN controls both the microphone and the LINE input. The black 

scale shows the microphone gain (+10 to +60 dB on channels with XENYX 

MIC PREAMPS and 0 to +40 dB on conventional microphone inputs; 

PMP1000 only, channels 5/6 and 7/8). 
The “LINE” scale indicates the sensitivity of the LINE input, ranging from 

+10 to -40 dBu.
PMP1000: The mono/stereo combination channels 5/6 and 7/8 have a 

sensitivity of +20 to -20 dBu.

(2) 

The LEVEL SET LED illuminates when an optimum operating level has 

been adjusted.

(3) 

The mono channels are equipped with a high-slope LOW CUT filter 

eliminating unwanted low-frequency signals like rumble noise.

(4) 

PMP4000/PMP6000 (stereo channels): Press the A/B button to switch 

from 1/4" jacks to RCA connectors, and vice versa. Position “A” = 1/4" jacks; 

position “B” = RCA connectors.

(5) 

The HIGH control in the EQ section governs the high frequency range of the 

respective channel.

(6) 

Use the MID control to boost or cut the midrange frequencies.

(7) 

PMP6000: The PMP6000 has an additional semi-parametric filter for the 

midrange frequencies in the mono channels (tunable from 100 Hz to 8 kHz). 

Adjust the boost/cut with the MID control, and the frequency with the 

FREQ control.
The stereo channels contain a stereo EQ section. The cut-off frequencies 

of the high and low bands are 12 kHz and 80 Hz respectively, while the 

center frequencies of the high-mid and low-mid bands are 3 kHz and 

400 Hz respectively.

(8) 

The LOW control allows you to boost/cut the low frequency range.

(9) 

With the MON(ITOR) control you can adjust the volume of each channel in 

the monitor mix.

(10) 

The PMP4000 and PMP6000 feature a second MON control (MON 2) for the 

volume of the second monitor bus.

(11) 

The FX control determines the signal level sent from each channel to the 

built-in effects processor; this signal is also present at the FX SEND jack 

(see  

(64)

).

(12) 

The PMP6000 has two FX controls (FX 1 and FX 2), so that you can use two 

effects simultaneously. Accordingly, the PMP6000 also has two effect aux 

buses, which have one output jack in common (see  

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  and  

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).

(13) 

The PAN(ORAMA) control determines the position of the channel signal in 

the stereo main mix.

(14) 

The BAL(ANCE) control for the stereo channels corresponds to the PAN 

control for the mono channels. It determines the relative volume of the left 

and right input signals before they are routed to the stereo main output.

(15) 

PMP4000/PMP6000: When you press the PFL button (Pre Fader Listening) 

the left LED  

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  shows the pre-fader input gain of the channel. Adjust the 

optimum input gain (0 dB) with the GAIN control  

(1)

. When PFL is on, 

the corres ponding LED illuminates.
If the LEVEL SET LED  

(2)

  is illuminated constantly, the signal is within the 

optimum operating level range. However, if the CLIP LED indicates that the 

input gain is too high, you should reduce the level slightly with the GAIN 

control. The CLIP LED should never be illuminated all the time, only with 

signal peaks.

(16) 

The MUTE switch mutes the channel in the main mix. The pre-fader signals 

(monitor buses) remain operative. When  MUTE is pressed, the corresponding 

control LED illuminates.

(17) 

The channel fader controls the channel signal level in the main mix.

(18) 

Each mono input channel is equipped with a balanced microphone input 

(XLR connector) which provides +48 V phantom power for condenser 

microphones at the touch of a button (see rear panel).
PMP1000: The two stereo channels 5/6 and 7/8 have an additional balanced 

XLR microphone input with +48 V phantom power.

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Each mono input features one LINE IN connector (1/4" jack), which can be used 

with either balanced or unbalanced signals.