Kodak Supra Endura VC Y 30.5 cm x 88 m 3942984 User Manual
Product codes
3942984
2
KODAK PROFESSIONAL SUPRA ENDURA VC Digital Paper
• E-4042
DARKROOM RECOMMENDATIONS
Handle unprocessed paper in total darkness. Be sure that
your darkroom is lighttight. Eliminate stray light from
timers, LEDs, etc.
your darkroom is lighttight. Eliminate stray light from
timers, LEDs, etc.
Note: Using a safelight will affect your results. If absolutely
necessary, you can use a safelight equipped with a KODAK
13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the
safelight at least 1.2 metres (4 feet) from the paper. Keep
safelight exposure as short as possible. Run tests to
determine that safelight use gives acceptable results for
your application.
necessary, you can use a safelight equipped with a KODAK
13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the
safelight at least 1.2 metres (4 feet) from the paper. Keep
safelight exposure as short as possible. Run tests to
determine that safelight use gives acceptable results for
your application.
EXPOSURE
Digital Printing
You can expose KODAK PROFESSIONAL SUPRA ENDURA
VC Digital Paper with many types of digital printers. It
performs well with the following Kodak digital printers:
VC Digital Paper with many types of digital printers. It
performs well with the following Kodak digital printers:
• KODAK PROFESSIONAL LED Color Printer
• KODAK PROFESSIONAL LED II Printer 20P/20R
• KODAK PROFESSIONAL Digital Multiprinter
• KODAK PROFESSIONAL Digital Multiprinter II
• KODAK PROFESSIONAL LF CRT Color Printer
• KODAK PROFESSIONAL RP 30 Laser Printer
• KODAK PROFESSIONAL RR 30 Laser Printer
• KODAK PROFESSIONAL SRP 30 Laser Printer
• KODAK PROFESSIONAL RP 50 LED Printer
Initial conversion to this paper involves the recalibration
of your printers. You will also need to download new aim
files and ICC output profiles for this paper. For up-to-date
starting values for Kodak digital printers and other
manufacturers’ equipment, refer to the following
document (available at www.kodak.com/go/endura):
files and ICC output profiles for this paper. For up-to-date
starting values for Kodak digital printers and other
manufacturers’ equipment, refer to the following
document (available at www.kodak.com/go/endura):
• Calibration Routines for KODAK PROFESSIONAL
SUPRA ENDURA VC Digital Paper, CIS-283
Color Management
SUPRA ENDURA VC Digital Paper is optimized for printing
in both internal and external color-managed, short
exposure, digital workflows. Many digital printers have
color-management capability built into their software.
SUPRA ENDURA VC Digital Paper is fully compatible with
these printers.
SUPRA ENDURA VC Digital Paper is optimized for printing
in both internal and external color-managed, short
exposure, digital workflows. Many digital printers have
color-management capability built into their software.
SUPRA ENDURA VC Digital Paper is fully compatible with
these printers.
Optical Printing
This paper can be printed optically. The image will be high
in contrast and, if balanced on flesh tones, the neutrals will
appear cyan.
in contrast and, if balanced on flesh tones, the neutrals will
appear cyan.
LATENT-IMAGE KEEPING
This paper features improvements in the stability of the
latent image. Under normal conditions, you should not
notice shifts in the latent image with keeping times from 5
seconds to 24 hours. Therefore, you do not need to change
your printing procedures to compensate for latent-image
shifts under normal temperature and handling conditions.
latent image. Under normal conditions, you should not
notice shifts in the latent image with keeping times from 5
seconds to 24 hours. Therefore, you do not need to change
your printing procedures to compensate for latent-image
shifts under normal temperature and handling conditions.
PROCESSING
Use KODAK EKTACOLOR RA Chemicals for Process RA-4,
and use KODAK PROFESSIONAL Pro Strips Color Negative
Paper Control Strips / for Process RA-4. (See "Process
Control.")
and use KODAK PROFESSIONAL Pro Strips Color Negative
Paper Control Strips / for Process RA-4. (See "Process
Control.")
Note: Although Kodak does not recommend Process
RA-2SM for professional media, some customers may
judge the results acceptable for certain applications.
Customers should test the media to determine
acceptability, as this process may provide warmer results
than desired.
RA-2SM for professional media, some customers may
judge the results acceptable for certain applications.
Customers should test the media to determine
acceptability, as this process may provide warmer results
than desired.
When fully converted to these new papers, your
developer replenishment rate should be approximately
10% lower than with KODAK PROFESSIONAL SUPRA
ENDURA Paper. Review your process control charts and
make adjustments as needed to stay in control.
10% lower than with KODAK PROFESSIONAL SUPRA
ENDURA Paper. Review your process control charts and
make adjustments as needed to stay in control.
Bleach-fix replenishment rates will stay the same for
Process RA-4. When using KODAK EKTACOLOR PRIME
Bleach-Fix Replenisher, replenishment rates will need to
increase.
Bleach-Fix Replenisher, replenishment rates will need to
increase.
For detailed information on replenishment rates and
processing this paper in continuous or roller-transport
processors, see KODAK Publication No. Z-130, Using
KODAK EKTACOLOR RA Chemicals. For information on
processing this paper in trays or rotary-tube and drum
processors, see KODAK Publication No. J-39, Tray, Drum,
and Rotary-Tube Processing with KODAK EKTACOLOR RA
Chemicals. Both publications are available through our
website at www.kodak.com/go/photochemicals.
processors, see KODAK Publication No. Z-130, Using
KODAK EKTACOLOR RA Chemicals. For information on
processing this paper in trays or rotary-tube and drum
processors, see KODAK Publication No. J-39, Tray, Drum,
and Rotary-Tube Processing with KODAK EKTACOLOR RA
Chemicals. Both publications are available through our
website at www.kodak.com/go/photochemicals.
Do not use drying temperatures above 93
° C (200° F) to
avoid damage to prints.
Underdrying can produce tackiness that tends to make
paper stick when it is wound into rolls before cutting.
Overdrying can cause curl and complicate transport in print
finishing.
Overdrying can cause curl and complicate transport in print
finishing.
Do not ferrotype this paper—its surface dries to a
natural gloss without ferrotyping.