Roland GR-33 Manual De Usuario

Roland

5

Contents

Chapter 4 Five Basic Modes ................................................................30

Play Mode ......................................................................................................................................... 30

Pedal Effect Mode ........................................................................................................................... 31

Patch Edit Mode: What It Means, How It Works...................................................................... 32

System Mode.................................................................................................................................... 33

Procedures in Tuner Mode ............................................................................................................ 33

Getting Into and Out of Each Mode ............................................................................................ 34

Chapter 5 Setting/Changing Sounds (Patches) .................................35

Details of Putting a Patch Together............................................................................................. 35

What is a “Tone”? ......................................................................................................................... 35
Recording and Settings of Each Patch........................................................................................ 35
Making separate settings for each string (STRING SELECT)................................................. 35
The Relationship Between Arpeggiator/Harmonist and Patches ......................................... 36

Saving Patches ................................................................................................................................. 36

Cautions When Saving ................................................................................................................. 36
Saving Patches From the GR-33 to Sequencers or Other MIDI Devices (Bulk Dump)....... 37
Receiving previously saved system or patch data (Bulk Load) ............................................. 37

Naming the Patches (PATCH NAME) ........................................................................................ 38

Setting the Volume Level of Each Patch (PATCH LEVEL)..................................................... 38

Changing the Feel of a Performance (PLAY FEEL)................................................................... 39

Following the Guitar Sound Shape (Envelope Follow)........................................................... 40

Increasing the Speed of Expression (Acceleration) .................................................................. 40

Changing Sound Placement (PAN) ............................................................................................. 41

Dividing Continuous Pitch Changes into Semitones (CHROMATIC)................................ 42

When You Want to Make a Chord Resonate Beautifully........................................................ 42
When You Want to Reproduce Piano-like Pitch Changes ...................................................... 42

Selecting Wah Types (WAH TYPE) ............................................................................................. 43

Selecting Pitch Glide Type (GLIDE TYPE)................................................................................ 44

Selecting Hold Type (HOLD TYPE)............................................................................................ 45

Using the CTRL Pedal .................................................................................................................... 46

Using the Expression Pedal........................................................................................................... 47

To Add Effects ............................................................................................................................... 47
To Switch Effects (EXP PEDAL) ................................................................................................. 47

Creating Synth Sounds .................................................................................................................. 49

Selecting the basic ingredient (tone) of a sound (SELECT)..................................................... 49
Increasing/Decreasing Attack Time (ATTACK)...................................................................... 49
Changing Tone Release (RELEASE)........................................................................................... 50
Changing Tone Brightness (BRIGHTNESS).............................................................................. 50

Combining/Layering Two Sounds (Tones)................................................................................ 51

Determining Which Tones Will Be Sounded (LAYER) ........................................................... 51
Applying Detune (Subtle Pitch Shift)......................................................................................... 51
Transposing by Semitones (TRANSPOSE)................................................................................ 51
Determining the Volume Balance of Two Tones (1:2 BALANCE) ........................................ 52
What to do When a Tone is Supposed to Sound, but Doesn’t ............................................... 52