Roland XV-5080. Manual De Usuario

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Chapter 4 Creating Patches
U.F (TMT Velocity Fade Width Upper)
Range:
 0–127
This determines what will happen to the Tone’s level when 
the Tone is played at a velocity greater than its specified 
velocity range. Higher settings result in a more gradual 
change in volume. If you don’t want notes played outside the 
specified velocity range to be heard at all, set this to 0.
Creating Four-Tone Patches
Tips for Creating a Patch
• Select a Patch that is similar to the sound you wish to 
create.
When you want to create a new sound, it’s a good idea to 
begin with a Patch that is close to the sound that you have in 
mind. Starting with a Patch that bears no resemblance to the 
one you want to create is likely to result in much more 
programming work for you. (Selecting a Patch p. 19)
• Decide which Tones will sound
When creating a Patch, it is important to decide which Tones 
you are going to use. It is also important to turn off unused 
Tones to avoid wasting voices, unnecessarily reducing the 
number of simultaneous notes you can play. (Selecting the 
Tones That Will Sound p. 126)
• Check the way in which the Tones are combined
Structure Type 1&2 and 3&4 are important parameters that 
determine how the four Tones are combined. Before you 
select new Tones, make sure you understand how the 
currently selected Tones are affecting each other. (p. 131)
• Turn off effects
Since the XV-5080 effects have such a profound impact on its 
sounds. The effects have a very great influence on the sound, 
and simply turning off the effects may make the sound quite 
different. Since you will hear the original sound of the Patch 
itself when the effects are turned off, the results of your 
modifications will be easier to hear. Actually, sometimes just 
changing effects settings can give you the sound you want. 
(The settings in Patch mode (p. 24))
More Advanced Editing of Tones
You can use a tremendous amount of detail when you edit 
the Tones in a Patch.
The parameters which can be set for each Tone are assigned 
to [F2]–[F5] as follows.
Patch Edit. Since the composition of sounds and parameters 
used differ for each type, unless you go back and redo these 
settings, no sound will be produced.*
The following shows the basic setting procedure. For 
descriptions of each parameter, refer to the reference page 
given in the above.
1. Select the Patch you’re going to use.
2. Press [F2]–[F5], whichever has the parameter you wish to 
set assigned to it, and select the display group.
3. Then press [F1]–[F4] to access the desired page.
4. Use TONE SELECT [1]–[4] to select the Tone you wish to 
set.
Its indicator will blink, and the selected Tone’s number will 
appear in the upper right of the display.
[F2 (WG)]
[F1 (WG Prm)] Selecting waveforms, FXM, Tone delay 
(p. 136)
[F3 (TVF)]
[F1 (TVF Prm)] modifies the brightness using the filter 
(p. 140)
[F4 (TVA)]
[F1 (TVA Prm)] Changes the volume and stereo location 
(p. 143)
[F5 (LFO&CTL)]