Alesis QSR 64 Manual De Usuario
Editing Effects: Chapter 7
QSR Reference Manual
10
C
ONFIGURATION
#3: L
EZLIE AND
R
EVERB
LEZLIE
FX SEND 1
FX SEND 2
AUX LEFT
AUX RIGHT
MAIN LEFT
MAIN RIGHT
AUX LEFT
AUX RIGHT
MAIN LEFT
MAIN RIGHT
DELAY 1
1
REVERB
FX SEND 3
FX SEND 4
PITCH 2
DELAY 2
AMP
AMP
PITCH 3
DELAY 3
AMP
DELAY 4
AMP
1
2
1
2
1
2
1
2
BAL.
BAL.
BAL.
BAL.
BAL.
2
3
1
2
3
1
4
MIX
REVERB 1
REVERB 2
REVERB 3
REVERB 4
DELAY 1
DELAY 2
DELAY 3
DELAY 4
PITCH 1
PITCH 2
PITCH 3
BAL.
BAL.
Pitch 1
Delay 1
Reverb 1
Lezlie
Mono delay
Plate 1
Plate 2
Hall
Room
Hall
Large
Gate
Reverse
Plate 2
Hall
Room
Hall
Large
Gate
Reverse
Pitch 2
Delay 2
Reverb 2
Mono chorus
Mono delay
Balance and level to Reverb 1
Stereo chorus
Stereo delay
Mono flange
Ping-pong delay
Stereo flange
Pitch detune
Resonator
Pitch 3
Pitch detune
Resonator
Pitch 3
Delay 3
Reverb 3
Resonator
Mono delay
Balance and level to Reverb 1
Delay 4
Reverb 4
Mono delay
Mix and level to Reverb 1
This Configuration is similar to Configuration 1, except it provides a stereo “Lezlie”
effect on send 1, which emulates a rotating speaker effect commonly heard with
organ sounds. This is followed by a Delay effect before going to the single stereo
Reverb effect. Sends 2 and 3 have Pitch modules preceding Delay modules, which are
then routed to Reverb 1. Send 4 has only a Mono Delay effect, which may also be
routed to Reverb 1.
effect on send 1, which emulates a rotating speaker effect commonly heard with
organ sounds. This is followed by a Delay effect before going to the single stereo
Reverb effect. Sends 2 and 3 have Pitch modules preceding Delay modules, which are
then routed to Reverb 1. Send 4 has only a Mono Delay effect, which may also be
routed to Reverb 1.