Genz-Benz EL DIABLO 60 Manual De Usuario
7. REVERB
CONTROL – This control pot adjusts the signal send level to the on-board ACCUTRONICS® long
pan reverb. This control works in conjunction with the global reverb control and different styles of lush, or “splashy”
warm analog reverbs are possible by running the channel reverb high and the global control low and also vise versa.
Experiment with these settings to fi nd the sound that best suits your style.
warm analog reverbs are possible by running the channel reverb high and the global control low and also vise versa.
Experiment with these settings to fi nd the sound that best suits your style.
8-10.
CHANNEL SELECTOR SWITCH AND INDICATOR LIGHTS – This is your channel selector switch for the
Warm or Hot channels. The placement of this switch between the channels and the bright marker LED’s clearly il-
lustrates which channel is active. This switch should be in the out position when the footswitch is used.
lustrates which channel is active. This switch should be in the out position when the footswitch is used.
11.
GAIN SWITCH / CLASSIC or HIGH – This gain switch sets the gain structure for the Hot channel. Use this
switch in conjunction with the Hot channel gain control. With a little experimentation it will be easy to hear that driving
the gain control in the maximum position is not as critical as on other amps. Articulate high gain splendor can be
achieved without cranking the gain to 10. When using the footswitch this switch should be in the out position.
the gain control in the maximum position is not as critical as on other amps. Articulate high gain splendor can be
achieved without cranking the gain to 10. When using the footswitch this switch should be in the out position.
12.
TEXTURE SWITCH / DYNAMIC or COMPRESSED – This switch changes the character of this tube
channel. Changing from Dynamic to Compressed provides another tonal variation for the guitarist. The compressed
setting offers additional compression of the signal along with a more aggressive, overdriven character, ideal for tight
and punchy bass response. This feature is more distinctive depending upon the setting of the gain control. When
using the footswitch this switch should be in the out position.
setting offers additional compression of the signal along with a more aggressive, overdriven character, ideal for tight
and punchy bass response. This feature is more distinctive depending upon the setting of the gain control. When
using the footswitch this switch should be in the out position.
13. GAIN
CONTROL – The Hot channel gain control provides a variety of gain settings; from a richly saturated
clean tone to fully overdriven high gain nirvana. Use this control in conjunction with the gain switch for this channel.
Lower settings will provide a less overdriven tone.
Lower settings will provide a less overdriven tone.
14. VOLUME
CONTROL - This preamp volume controls the overall volume of the Hot channel. Use this control
together with the gain control and gain switch to set the overall volume of this channel. If your channel Gain control
is set very high, we do not recommend running this control “all the way up”. Due to the tremendous potential gain of
the El Diablo 60 this may cause some unwanted feedback or squeal from the preamp tubes becoming micro-phonic.
is set very high, we do not recommend running this control “all the way up”. Due to the tremendous potential gain of
the El Diablo 60 this may cause some unwanted feedback or squeal from the preamp tubes becoming micro-phonic.
15.
TUBE CONTOUR CONTROL – This is a unique circuit to the EL DIABLO design. This Contour control
adds an additional “tone stack” within the tube preamp, which interacts with and changes the loading of the tube
as the control knob is turned. When the control is left of center it produces a more midrange tone and adds a more
“vintage” character to the tone. When used from the center position to the far right it produces a more modern tone
with more bass and highs. This circuit will also interact with the Classic and High gain settings and the Dynamic and
Compressed settings.
as the control knob is turned. When the control is left of center it produces a more midrange tone and adds a more
“vintage” character to the tone. When used from the center position to the far right it produces a more modern tone
with more bass and highs. This circuit will also interact with the Classic and High gain settings and the Dynamic and
Compressed settings.
16-18. TONE
SECTION – Three tone circuits are included for the Hot channel. The bass, mid and treble
frequencies have been pre-selected in order to provide articulate, full-range tone shaping response specifi cally
tailored to the design of the EL DIABLO 60. As you can see these circuits provide a huge cut or boost of 15db
offering untold fl exibility in tone shaping. We do not recommend running all tone controls at the full +15db position.
To avoid having the preamp tubes becoming micro-phonic and producing feedback or squeal, keep the treble and
attack features to moderate (below 2:00) settings, when using maximum gain settings at high volumes.
tailored to the design of the EL DIABLO 60. As you can see these circuits provide a huge cut or boost of 15db
offering untold fl exibility in tone shaping. We do not recommend running all tone controls at the full +15db position.
To avoid having the preamp tubes becoming micro-phonic and producing feedback or squeal, keep the treble and
attack features to moderate (below 2:00) settings, when using maximum gain settings at high volumes.
19. REVERB
CONTROL – This control pot adjusts the signal send level to the on-board ACCUTRONICS® long
pan reverb. This control works in conjunction with the global reverb control, and different styles of lush or “splashy”
warm analog reverbs are possible by running the channel reverb high and the global control low and also vise versa.
Experiment with these settings to fi nd the sound that best suits your style.
warm analog reverbs are possible by running the channel reverb high and the global control low and also vise versa.
Experiment with these settings to fi nd the sound that best suits your style.
20. GLOBAL
ATTACK
SWITCH – Different than a presence, this unique circuit boosts a specifi c range of upper
mid frequencies which enhances pick attack and bite. This “frequency multiplier” circuit is extremely effective as a
lead boost and helps to cut through the mix. This circuit can be engaged in either preamp channel or gain setting
and can add a more aggressive attack to any tone setting on the amp. When the footswitch is used, this switch
should be in the out position.
lead boost and helps to cut through the mix. This circuit can be engaged in either preamp channel or gain setting
and can add a more aggressive attack to any tone setting on the amp. When the footswitch is used, this switch
should be in the out position.
21. GLOBAL
ATTACK
LEVEL
CONTROL – This level control provides a variable amount of Attack ”boost” to
the amp.
22. GLOBAL
REVERB
CONTROL – This control adjusts the level of the reverb return signal from the on board
ACCUTRONICS® long pan reverb pan. This control works in conjunction with the channel reverb send controls to
provide different styles of warm, lush analog reverb.
provide different styles of warm, lush analog reverb.
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