Behringer LX1B Manual De Usuario

BASS V-AMP LX1B/BASS V-AMP PRO LX1B PRO User Manual

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BYPASS (NO SPEAKER SIMULATION)

1

AMPEG SVT 8 x 10" '97

2

TRACE ELLIOT 4 x 10"

3

SWR GOLIATH 4 x 10"

4

AMPEG 4 x 10"

5

GALLIEN KRUEGER B120

6

68 MARSHALL 4 x 12"

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AMPEG B15 1 x 15" CLOSED BACK COMBO

8

POLYTONE A101 1 x 15" CLOSED BACK COMBO

9

VOX AC100 2 x 15"

10

MESA/BOOGIE 2 x 15" 

11

FENDER BASSMAN 2 x 15" WITH JBLs

12

LESLIE 760 CABINET, 1 x 15" + HF-DRIVER

13

SWR 1 x 18"

14

AMPEG SVT 18E, 1 x 18"

15

SUNN COLISEUM 1 x 18" + 1 x 12"

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1 x 8" TWEED

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1x 12" MID

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2 x 12" TWIN COMBO

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2 x 12" V-AMP CUSTOM

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4 x 12" VINTAGE 30

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4 x 12" '78 STD.

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4 x 12" OFF AXIS

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4 x 12" V-AMP CUSTOM

Tab. 5.2: Overview of cabinet simulations

DENOISER: A Denoiser is used to remove or minimize noise or other interference 

sounds. Such noise becomes particularly apparent during pauses. The time-

proven BEHRINGER denoiser removes or reduces such noise very effectively.
A dynamic low-pass filter eliminates the noise present in the signal, while the 

integrated expander supresses noise during pauses. Concerning this dynamic 

filter you can adjust frequency range and sensitivity, while the expander adjusts 

both the threshold and the time parameter.

COMPRESSOR: A compressor is used to elevate low-level signals, whereas loud 

parts are lowered if needed. 
Letting the compressor kick in strongly (done by turning the EFFECTS control 

clockwise) tightens the entire dynamic of the signal. This dynamic effect is the 

one that is most used in a connection with an electric bass. On the other hand, 

a limiter cuts off the signal above a set threshold to prevent distortion.

The integrated multi-effects processor is a distinctive feature of your 

BASS V-AMP/BASS V-AMP PRO. This effects module offers you 16 different 

groups of first-class effects, such as chorus, flanger, stereo delay, rotary cab., 

synth as well as various combination effects. Additionally, you can use an extra 

wah wah effect via the MIDI function. This can be optimized by using a MIDI 

foot controller with an expression pedal, for example the BEHRINGER MIDI FOOT 

CONTROLLER FCB1010.

The effects can be edited in three parameters:
1.  By rotating the EFFECTS control.
2.  By rotating the EFFECTS control while the TAP key is pressed.
3.  By pressing the TAP key in the beat of a music piece. Table 6.1 shows the 

effects parameters of your BASS V-AMP/BASS V-AMP PRO.

0

MIDI WAH

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1

P-FUNK'N

Depth

Sensitivity

Base frequency

2

AUTO WAH

Depth

Sensitivity

Base frequency

Tab. 6.2: Pre FX 

MIDI WAH: The legendary wah wah was primarlily made famous by Jimi Hedrix. 

Explaining it would be surely more difficult than simply telling you to go listen 

Hendrix’ Voodoo Chile. When the DRIVE function is activated, turning the EFFECTS 

control sets the wah wah. The LED circle around the control displays the position 

of the pedal. When no LED is on, the MIDI wah wah is not active. 
P-FUNK’N: This is our attempt at replicating the legendary MuTron III, and we 

succeeded! The MuTron III was a mixture out of Auto wah wah and filter effect. 

The most famous user of this effect is probably Bootsy Collins. The MuTron III had 

an up/down switch. Here, the effect resembles the MuTron in the down position.
AUTO WAH: The American funk in the ’70s proved that auto wah had many 

possible applications. Instead of regulating the filter frequency with your foot, 

our effect does this automatically, depending on the signal level. In doing so, 

our effect is similar to the MuTron III in the up position.