Alesis 12 FireWire Manual De Usuario

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A Tour of the MultiMix FireWire
 
 18 
HDPH / CTRL RM 
 
The HDPH / CTRL RM knob controls the level of  the signal 
being sent to the CTRL RM OUT and the PHONES output. The 
level of  this signal is represented by the LED meters. The switches 
to the right of  the HDPH / CTRL RM knob determine the source 
of  the control room mix as explained below. You can use these 
switches in any combination. If  no switches are selected, you’ll 
hear silence in the control room mix and the LED meters won’t 
light up. 
 
The “CTRL RM” in the name of  this knob refers to the fact that it 
controls the signal that typically is sent to the control room 
monitors of  a studio, where someone—usually an engineer—is 
working the mixer. However, don’t be intimidated if  you’re using 
this mixer in your bedroom, which probably isn’t equipped with a 
control room. In this scenario, you can use headphones or connect 
the CTRL RM OUT to your speakers.  
 
MIX Switch 
 
Pressing the MIX switch routes the main mix to the control room 
level control. When you engage this switch, the channels and aux 
sends will pass through the MAIN MIX fader and then through 
the HDPH / CTRL RM level control. You can then keep the 
MAIN MIX fader set to unity gain for optimal recording, and the 
HDPH / CTRL RM level control set to a more comfortable 
listening level if  necessary. 
 
ALT 3/4 Switch 
 
When you press the ALT 3/4 switch, the signal from the ALT 3/4 
stereo mix bus is routed through the HDPH / CTRL RM level 
control. 
 
2TK Switch 
 
If  you want to monitor the signal coming in from the 2-TRACK 
jacks and from the computer (if  a Firewire cable is attached), press 
the 2TK switch.  
 
Aux Ret A Level 
 
This is the level control for the signal returning to the mixer via 
AUX RETURN A. 
 
Effects / Aux Ret B level 
 
If  you are using one of  the MultiMix’s internal effects, this knob 
controls the effect level. If  AUX SEND B is connected to an 
external device, this knob controls the level for AUX RETURN B. 
 
 
 
 
When you solo a channel via 
its PFL / SOLO switch, that 
channel’s signal will override 
your control room mix 
selection. You then will hear 
only that channel in the 
control room and the 
headphones.