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FXAlg #720: MonoPitcher+Chor ¥ FXAlg #721: MonoPitcher+Flan
Algorithm Reference-93
Wet/Dry
This is a simple mix of the pitched and chorused or ßanged signal relative to the dry
input signal.
input signal.
Out Gain
The overall gain or amplitude at the output of the effect.
Mix Pitchr
The amount of the pitcher signal to be sent directly to the output as a percent. Any signal
that this parameter sends to the output does not get sent to the chorus or ßanger.
that this parameter sends to the output does not get sent to the chorus or ßanger.
Mix Chorus, Mix Flange The amount of the ßanger or chorus signal to send to the output as a percent.
Pt/Dry->Ch, Pt/Dry->Fl The relative amount of pitcher signal to dry signal to send to the chorus or ßanger. At 0%
the dry input signal is routed to the chorus or ßanger. At 100%, the chorus or ßanger
receives its input entirely from the pitcher.
receives its input entirely from the pitcher.
Pt Inp Bal
Since this is a mono algorithm, an input balance control is provided to mix the left and
right inputs to the pitcher. -100% is left only, 0% is left plus right, and 100% is right only.
right inputs to the pitcher. -100% is left only, 0% is left plus right, and 100% is right only.
Pt Out Pan
Pans the mono pitcher output from left (-100%) to center (0%) to right (100%)
Pt Pitch
The "fundamental" frequency of the Pitcher output. This sets the frequency of the lowest
peak in terms of standard note names. All the other peaks will be at multiples of this
pitch.
peak in terms of standard note names. All the other peaks will be at multiples of this
pitch.
Pt PkSplit
Splits the pitcher peaks into two peaks, which both move away from their original
unsplit position, one going up and the other down in frequency. At 0% there is no
splitting; all peaks are at multiples of the fundamental. At 100% the peak going up
merges with the peak going down from the next higher position.
unsplit position, one going up and the other down in frequency. At 0% there is no
splitting; all peaks are at multiples of the fundamental. At 100% the peak going up
merges with the peak going down from the next higher position.
Pt Offset
An offset in semitones from the frequency speciÞed in Pitch.
Pt PkShape
Controls the shape of the pitcher spectral peaks. 0.0 gives the most "pitchiness" to the
output, in that the peaks are narrow, and there is not much energy between them. -1.0
makes the peaks wider. 1.0 brings up the level between the peaks.
output, in that the peaks are narrow, and there is not much energy between them. -1.0
makes the peaks wider. 1.0 brings up the level between the peaks.
Ch PtchEnv, Ch Rate, Ch Depth, Ch Delay, Ch Fdbk, Ch Xcouple, Ch HF Damp
Refer to Chorus
documentation.
Fl LFO cfg
Sets the user interface mode for controlling each of the 4 ßange LFOs.
Fl LRPhase
Controls the relative phase between left channel LFOs and right channel LFOs. In
Dual1Tap mode, however, this parameter is accurate only when Fl Rate 1 and Fl Rate 2
are set to the same speed, and only after the Fl LFO cfg parameter is moved, or the
algorithm is called up.
Dual1Tap mode, however, this parameter is accurate only when Fl Rate 1 and Fl Rate 2
are set to the same speed, and only after the Fl LFO cfg parameter is moved, or the
algorithm is called up.
Fl Phase 1, Fl Phase 2
These adjust the corresponding LFO phase relationships between themselves and the
internal beat clock.
internal beat clock.
Fl Rate, Fl Depth, Fl Delay, Fl Fdbk, Fl Xcouple, Fl HF Damp
Refer to Flanger documentation. Parameters
with a 1 or 2 correspond to LFO taps organized as described above.
Fl Xcurs 1
0.0 to 230.0 bts
Fl Xcurs 2
0.0 to 230.0 bts
Fl Delay 1
0.0 to 230.0 ms
Fl Delay 2
0.0 to 230.0 ms
Fl Phase 1
0.0 to 360.0 deg
Fl Phase 2
0.0 to 360.0 deg
Fl Fdbk
-100 to 100%
Fl HF Damp
16 to 25088 Hz