Roland g-70 Guía Del Usuario

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OS Version 2
12
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G-70 Music Workstation
(4) Press the [REC¥TRK] field and use the [DATA÷ENTRY] 
dial or the [DEC]/[INC] buttons to select the track 
you want to record to.
(5) Press the [REC¥TYPE] field and use the 
[DATA÷ENTRY] dial or the [DEC]/[INC] buttons to 
specify how the track should behave (some are 
always “GS tracks”):
● VH—Sets “REC TRK” to “16” and allows you to record 
setting changes (including Pitch Bend) as well as the 
notes used for generating Vocal Harmonist voicings. This 
would allow you to “automate” the Vocal Harmonist’s 
behavior.
Note: Your singing is not recorded (because the sequencer 
only handles MIDI data).
(6) To record a guitar part onto the selected track (not 
available for track 10):
• Press the [GUITAR¥MODE] “display” and use the 
[DATA÷ENTRY] dial to select “Acoustic” or “Electric”. 
(Select “Off” if you want to use the track for some-
thing else.)
• Press the [SETTINGS] field to jump to the GUITAR 
• Press the [EXIT] button to return to the REALTIME REC 
STANDBY page.
Note: The “DOUBLING” function (Guitar Mode Options) is not 
available here, because only one track can be recorded at any 
one time.
(7) Assign the desired sound to the recording track 
you selected.
You can play on the keyboard to check whether the 
sound matches the mood of the part you wish to 
record. 
You can select sounds of an SRX-series expansion 
board for any track you like. Some boards contain 
loops (or grooves) whose tempo is automatically syn-
chronized to the song tempo.
(8) Specify how the data will be added to the track 
during recording (
REC MODE):
(See the Owner’s Manual for the rest of the proce-
dure.)
Melody Intelligence
This function has become more flexible:
Selecting a Harmony Type also means that the G-70 
automatically assigns a suitable sound to the 
MELODY INTELL part (e.g. a trumpet and sax sounds 
for Big Band, etc.). More specifically, the following 
sounds are added to the UP1 part (which also plays 
certain “intelligent” melody notes):
Track REC TYPE
1~3
GS (cannot be changed)
4
GS
*
[*] The track uses a “normal” sound (that is not produced by the
HARMONIC  BARS  section).  This  can  be  an  internal  sound  or  a
sound of the SRX-series expansion board you installed.
UP1
**
[**]  The  track  uses  the  same  sound  as  the  Keyboard  part  it  is
linked to. In the case of the UP1, LW1 and MBS parts, this can
also  be  the  corresponding  Harmonic  Bar  part.  The  important
thing to remember is that whenever you assign a different sound
to the connected Keyboard part, the track in question automat-
ically switches to that sound as well.
5
6
GS*,
UP2
11
LW1**
MBS**
13
UP3**
14
LW2**
15
MELODY INTELL**
16
GS or “VH” (see below)
g
KEYBOARD PART/
MELODY INTELL
Track
Track
If you select “GS” (or if 
there is no 
alternative).
If you select the corre-
sponding part.
Sound (and tone 
generator) of the 
selected part.
Song parts
Type
UP1 sound
MEL INT sound
DUET
Trumpet
Brass 1
ORGAN
Chorus Or
Chorus Or
COMBO
Clarinet
Trombone
STRINGS
Strings
St Slow Str
CHOIR
St. Choir Aahs
St. Choir Aahs
BLOCK
Vibraphone w
Piano 1w
BIG BAND
Trumpet
St.Tenor Sax
COUNTRY
Jazz Gt.
JC Chorus Gt.
TRADITIONAL
The Grand X
BROADWAY
Celesta
Theater Org.
GOSPEL
Trem. Organ
St.Choir Aahs
ROMANCE
Strings
Nylon StrGt
LATIN
The Grand X
COUNTRY GUITAR
Jazz Gt.
Nylon StrGt
COUNTRY BALLAD
The Grand X
WALTZ ORGAN
Theater Org.
Trem.Organ
OCTAVE TYPE 1
The Grand X
OCTAVE TYPE 2The Grand X