Roland rd-170 Manual De Propietario

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Owner’s Manual
31
sion pedal (continuous) to the SOFT/EXPR. socket, 
the RD-170 “translates” the continuous expression 
messages (values between “0” and “127”) into on/
off-type signals – and triggers the Soft function just 
the same. In that case, values 0~64 switch the Soft 
function off, while values 65~127 (pedal half way~
all the way down) switch it on.
Note that this is a System parameter that applies to 
all Setup memories.
(1) Press [SYSTEM] (lights), followed by [5].
Press and hold [5] to display the abbreviated 
function name.
(2) Use [DEC÷NO]/[INC÷YES] to select on or off. 
Note: This setting can be saved (see p. 32).
(3) Press [EXIT] to leave the System mode.
Basic channel 
[MIDI]
This parameter allows you to specify the MIDI chan-
nel used by the RD-170 for transmitting and receiv-
ing program changes related to the selection of 
Setup memories (see p. 28).
You can indeed select the Setup memories via MIDI 
(from a sequencer, computer, etc.), so that you do 
not need to worry about that while playing. (The 
Setup memories are assigned to MIDI program 
change numbers 1~16.)
Depending on how you want to work with your 
RD-170, it would be a good idea to choose a MIDI 
channel that is neither used by the Upper, nor the 
Lower part. That way, any other MIDI data (like note 
messages, for example) contained on the sequencer 
track used for remotely controlling Setup changes 
are ignored by the RD-170. An additional advantage 
of using a separate basic channel is that program 
change messages the RD-170 may receive during a 
performance do not assign other internal sounds to 
the Upper or Lower part.
(1) Press [SYSTEM] (lights), followed by [6].
Press and hold [6] to display the abbreviated 
function name.
(2) Use [DEC÷NO]/[INC÷YES] to select the desired 
basic channel (1~16). You can also select 
off, which means that program changes for 
Setup memories are neither transmitted, nor 
received. 
Note: This setting can be saved (see p. 32).
(3) Press [EXIT] to leave the System mode.
on
2nd detect
We suggest devising a system and sticking to it
Here’s an example: always use MIDI channel 16 as 
basic channel (set it once and never change it 
again). That way, you’ll never have to reprogram 
your sequences or troubleshoot your MIDI setup, 
while you still have 15 MIDI channels for control-
ling external MIDI instruments and thus sufficient 
flexibility for the Upper and Lower parts. (The MIDI 
channel assignments of the Upper and Lower parts 
are part of the Setup settings you can save.)
16
basic channel
RD-170 OM_GB  Page 31  Monday, March 17, 2003  10:23 AM