Access virus os4 Manual De Usuario
116
CHAPTER
14
The Parameters
HP The high pass filter works
in the opposite manner of the low
pass filter: It suppresses the lower
frequencies in a signal and lets the
higher frequencies pass.
pass filter: It suppresses the lower
frequencies in a signal and lets the
higher frequencies pass.
BP The band pass filter sup-
presses both ends of the tonal
spectrum and allows only a nar-
rowly defined bandwidth of the
original sound to pass.
spectrum and allows only a nar-
rowly defined bandwidth of the
original sound to pass.
BS The band stop filter, band
reject filter or notch filter works in
the opposite manner of the band-
pass filter. It allows all of the fre-
quencies of a signal except for a
narrow frequency band around the
cutoff to pass. The term “notch” is
fairly descriptive; you might say
this filter chops a notch out of the
sound spectrum.
the opposite manner of the band-
pass filter. It allows all of the fre-
quencies of a signal except for a
narrow frequency band around the
cutoff to pass. The term “notch” is
fairly descriptive; you might say
this filter chops a notch out of the
sound spectrum.
FILTER
ROUTING This feature offers
four filter routing options which
allow you to operate the filters in
series or in parallel:
allow you to operate the filters in
series or in parallel:
SER-4 The filters are switched
in series; with two poles each
(12dB), both filters have the same
slope for a total of four filter poles
(24dB).
(12dB), both filters have the same
slope for a total of four filter poles
(24dB).
SER-6 The filters are switched
in series; Filter-1 has four poles
(24dB), Filter-2 has two poles (12dB)
so the overall slope is equivalent to
six poles (36dB).
(24dB), Filter-2 has two poles (12dB)
so the overall slope is equivalent to
six poles (36dB).
PAR-4 The filters are switched
in parallel and feature two poles
each (12dB).
each (12dB).
SPLIT The filters are switched in
parallel and feature two poles each
(12dB). Additionally, they receive
independent input signal s (more
on this later). The stereo position
of the signals can also be manipu-
lated
via the parameter TWIN MODE
PAN SPREAD (see appropriate sec-
tion) in the EDIT menu.
Regardless of which FILTER ROUT-
ING option you chose, the SATURA-
TION
(12dB). Additionally, they receive
independent input signal s (more
on this later). The stereo position
of the signals can also be manipu-
lated
via the parameter TWIN MODE
PAN SPREAD (see appropriate sec-
tion) in the EDIT menu.
Regardless of which FILTER ROUT-
ING option you chose, the SATURA-
TION
stage is always post-Filter-1.