Adobe photoshop cs2 Manual De Usuario

ADOBE PHOTOSHOP CS2 

Renders the image as if it had a polished chrome surface. Highlights are high points, and shadows are low 

points in the reflecting surface. After applying the filter, use the Levels dialog box to add more contrast to the image. 

Replicates the texture of dense dark and pure white Conté crayons on an image. The Conté Crayon 

filter uses the foreground color for dark areas and the background color for light areas. For a truer effect, change the 
foreground color to one of the common Conté Crayon colors (black, sepia, sanguine) before applying the filter. For 
a muted effect, change the background color to white, add some of the foreground color to the white background, 
and then apply the filter. 

Uses fine, linear ink strokes to capture the details in the original image. The effect is especially striking 

with scanned images. The filter replaces color in the original image, using the foreground color for ink and the 
background color for paper. 

Simulates the effect of a halftone screen while maintaining the continuous range of tones. 

Creates an image that appears to be constructed of handmade paper. This filter simplifies images and 

combines the effects of the Stylize > Emboss and Texture > Grain filters. Dark areas of the image appear as holes in 
the top layer of paper, revealing the background color. 

Simulates the effect of photocopying an image. Large dark areas tend to be copied only around their 

edges, and midtones fall away to either solid black or solid white. 

Molds an image  from  3D  plaster,  and then colorizes  the result using  the foreground and  background  color.  

Dark areas are raised, and light areas are recessed. 

Simulates the controlled shrinking and distortion of film emulsion to create an image that appears 

clumped in the shadows and lightly grained in the highlights. 

Simplifies the image so that it appears to be created with a rubber or wood stamp. This filter is best used with 

black-and-white images. 

Reconstructs the image so that it appears composed of ragged, torn pieces of paper, and then colorizes 

the image using the foreground and background colors. This filter is particularly useful for text or high-contrast 
objects. 

Uses blotchy daubs that appear painted onto fibrous, damp paper, causing the colors to flow and blend. 

The Stylize filters produce a painted or impressionistic effect on a selection by displacing pixels and by finding and 
heightening contrast in an image. After using filters like Find Edges and Trace Contour that highlight edges, you can 
apply the Invert command to outline the edges of a color image with colored lines or to outline the edges of a 
grayscale image with white lines. 

Shuffles pixels in a selection to soften focus according to the selected option: Normal moves pixels randomly 

(ignoring color values), Darken Only replaces light pixels with darker ones, and Lighten Only replaces dark pixels 
with lighter ones. Anisotropic shuffles pixels in the direction of the least change in color. 

Makes a selection appear raised or stamped by converting its fill color to gray and tracing the edges with 

the original fill color. Options include an embossing angle (from –360˚ to recess the surface, to +360˚ to raise the 
surface), height, and a percentage (1% to 500%) for the amount of color within the selection. To retain color and 
detail when embossing, use the Fade command after applying the Emboss filter. 

Gives a 3D texture to a selection or layer. See also “To use the Extrude filter” on page 524.