Alesis studio24 Manual De Usuario

The Mid EQ has two knobs: one to set the amount of boost or cut and one to select
the frequency you want to control (adjustable from 120 Hz to 13 kHz).

To avoid low-end rumble and noise, turn on the 75 Hz high-pass filter, which
removes frequencies below 75 Hz at a rate of 18 dB per octave. The 75 HZ switch has
this effect even if the EQ controls are set to “flat”: the 12 o’clock position where there
is no boost or cut.

Finally, at the bottom of each channel we find the channel’s fader,

PAN knob, SOLO and MUTE buttons, PEAK and -20 LEDs, and a pair of buttons that
let you determine the channel routing, i.e., where it’ll go to. The assignment switches
can route the channel’s signal to the two Groups and to the L/R Master.

If signals are routed to the Group section, you can use the GROUP

FADERS to determine the total volume of all channels assigned there.

In the studio, the Group output usually is connected to the inputs of a multitrack
recorder, such as the Alesis ADAT. A very useful application of the Group feature is
to assign the output of the Groups to the Direct Outs by pressing the DIRECT OUT
SOURCE switch at the top of the Channel that corresponds to the Direct Outs you
want to use. Example: if you want to route all channels assigned to the Groups to
DIRECT OUTs 5 and 6, press the DIRECT OUT SOURCE switch located at the top of
Channels 5 and 6.

In live performance applications, the Group Out jacks may be used to feed other
amplifiers, broadcast feeds or even other mixers. Some engineers even use the
Groups for extra effect sends.

During mixdown or in PA applications, the Groups may be

“subgrouped” or assigned to the L/R Main mix, using the LINK TO L/R buttons
above the GROUP FADERS. so that the Group Master faders can be used to adjust
the volume of several different inputs at once, such as multiple channels of drums or
vocals.

 Every input may be routed to the main left and right outputs, either

directly or via a Group Master or the Monitor LINK TO L/R.