Alesis studio24 Manual De Usuario
Hooking It Up
4 0 S
TUDIO
24 R
EFERENCE
M
ANUAL
G
ROUP
I
NSERTS
These are identical to the Main Insert jacks described above. They are used to insert a
outboard stereo effects device (such as a compressor, limiter, reverb or EQ) directly
into the Group signal path, before the fader. A special Y-cable (stereo 1/4" plug to
two mono 1/4" plugs, as shown on page 49) is required.
outboard stereo effects device (such as a compressor, limiter, reverb or EQ) directly
into the Group signal path, before the fader. A special Y-cable (stereo 1/4" plug to
two mono 1/4" plugs, as shown on page 49) is required.
C
ONTROL
R
OOM
O
UTPUTS
These back-panel outputs consist of two balanced TRS 1/4" jacks for the left and
right signals coming from the Control Room Select switch. Normally, you’ll connect
these to the inputs of the amplifier for your control room monitor speakers. The
signal level is controlled by the CONTROL ROOM knob.
right signals coming from the Control Room Select switch. Normally, you’ll connect
these to the inputs of the amplifier for your control room monitor speakers. The
signal level is controlled by the CONTROL ROOM knob.
2 T
RACK
I
NPUTS
These unbalanced RCA jacks (back panel) are intended for the outputs of a mixdown
tape machine, so you can hear it in the control room output without using up an
input. This allows you to playback your mix without repatching.
tape machine, so you can hear it in the control room output without using up an
input. This allows you to playback your mix without repatching.
S
TEREO
A
UX
R
ETURNS
The STEREO AUX RETURNS are four balanced 1/4" line input jacks (top panel) that
are most often used to connect to the stereo outputs of two external effect units.
However, these may also be used as additional inputs for stereo sound modules,
samplers or synthesizers, if desired.
are most often used to connect to the stereo outputs of two external effect units.
However, these may also be used as additional inputs for stereo sound modules,
samplers or synthesizers, if desired.
MONITOR OUTS 1/2
AND
AUX SENDS 3/4
The MONITOR OUTS (back panel) and AUX SENDS (top panel) are four balanced
1/4" jacks which feed the signals from Monitor 1/2 and Aux3/4.
1/4" jacks which feed the signals from Monitor 1/2 and Aux3/4.
MON 1 and 2 are pre-fader and are ideal for feeding a headphone amp for musicians
in the studio to monitor themselves and other tracks already recorded onto tape.
However, depending on your studio hookup, you may find it more flexible to
connect headphones to the HEADPHONE jack on the top panel, which may be
switched to receive the MONITOR 1/2 signal or the Control Room mix.
in the studio to monitor themselves and other tracks already recorded onto tape.
However, depending on your studio hookup, you may find it more flexible to
connect headphones to the HEADPHONE jack on the top panel, which may be
switched to receive the MONITOR 1/2 signal or the Control Room mix.
AUX 3 and 4 are post-fader, and are normally connected to the inputs of outboard
effects devices, like reverbs and digital delays.
effects devices, like reverbs and digital delays.
H
EADPHONES
The headphone connector (found on the upper right side of the top panel) is a stereo
1/4" jack which can drive most headphones. The signal level is controlled by the
HEADPHONE LEVEL knob in the CONTROL ROOM section. The wiring scheme is
shown below; most headphones label which side is left and right.
1/4" jack which can drive most headphones. The signal level is controlled by the
HEADPHONE LEVEL knob in the CONTROL ROOM section. The wiring scheme is
shown below; most headphones label which side is left and right.