Alesis studio24 Manual De Usuario
Sound Reinforcement
7 0 S
TUDIO
24 R
EFERENCE
M
ANUAL
To control a stereo submix of all the vocal mics from the Group 1 and 2 faders:
If you are doing a stereo mix, you may use two groups for a submix. Follow the
instructions above, but pan the microphones anywhere from left to right during step
4. Make sure Group Faders 1 and 2 are both set to the same level to keep the proper
stereo balance.
instructions above, but pan the microphones anywhere from left to right during step
4. Make sure Group Faders 1 and 2 are both set to the same level to keep the proper
stereo balance.
S
TAGE
M
ONITOR
M
IX
In typical stage/PA applications, the monitor section of a mixer is usually used to
provide stage monitor mixes while the Channel FADERs provide the house mix. This
depends on the Mic or Line inputs going to both the Channel faders as well as the
Monitor section. Since the Studio 24 is fundamentally a recording mixer, it does not
route Channel inputs 1 - 8 (MIC or LINE) to MON 1/2 and the Channel faders at the
same time. (The stereo Channels are the exception because they are designed with
MIC or LINE inputs routed to both MON 1/2 and the Channel FADERs.)
provide stage monitor mixes while the Channel FADERs provide the house mix. This
depends on the Mic or Line inputs going to both the Channel faders as well as the
Monitor section. Since the Studio 24 is fundamentally a recording mixer, it does not
route Channel inputs 1 - 8 (MIC or LINE) to MON 1/2 and the Channel faders at the
same time. (The stereo Channels are the exception because they are designed with
MIC or LINE inputs routed to both MON 1/2 and the Channel FADERs.)
This can be corrected by simply making or purchasing 8 RCA-to-RCA “jumpers” that
connect the DIRECT OUT to the TAPE IN of each Channel 1 - 8. Just make sure that
all CHAN/MON REVERSE and DIRECT OUT SOURCE switches are in their UP
positions.
connect the DIRECT OUT to the TAPE IN of each Channel 1 - 8. Just make sure that
all CHAN/MON REVERSE and DIRECT OUT SOURCE switches are in their UP
positions.
When the jumpers are in place, all inputs to Channels 1 - 8 are routed to the DIRECT
OUTs after the fader, then routed right back into the TAPE Ins which feed the MON
1/2 mix. This way, the both the house mix and stage monitor speakers have the same
mics and instruments available (unlike in the studio where the Channels have the
mics and instruments and the MON 1/2 mix handles tape returns).
OUTs after the fader, then routed right back into the TAPE Ins which feed the MON
1/2 mix. This way, the both the house mix and stage monitor speakers have the same
mics and instruments available (unlike in the studio where the Channels have the
mics and instruments and the MON 1/2 mix handles tape returns).
Using the LEVEL and PAN knobs in the MON 1/2 section of each Channel, you can
create two mixes for the stage monitors that is different from the house mix. Just
keep in mind that since the jumpers are creating a signal path from the Channel
faders, any fader changes you make to the house mix will affect the MON 1/2 stage
mix.
create two mixes for the stage monitors that is different from the house mix. Just
keep in mind that since the jumpers are creating a signal path from the Channel
faders, any fader changes you make to the house mix will affect the MON 1/2 stage
mix.
Creating two separate stage monitor mixes is accomplished by using the MONITOR
PAN controls carefully. For example, the lead singer may wish to hear more drums
and vocals in his or her monitor being fed by the MON 1 output, while the lead
guitarist wants more bass coming from the MON 2 output. Here’s the procedure:
PAN controls carefully. For example, the lead singer may wish to hear more drums
and vocals in his or her monitor being fed by the MON 1 output, while the lead
guitarist wants more bass coming from the MON 2 output. Here’s the procedure:
To create two different stage monitor mixes:
Set the Control Room SOURCE switch to MON 1/2 (down). The MON 1/2 signals
will be present in the HEADPHONE jack. You can also connect your own monitor
speaker to the CONTROL ROOM OUTS to hear the stage monitor mixes.
will be present in the HEADPHONE jack. You can also connect your own monitor
speaker to the CONTROL ROOM OUTS to hear the stage monitor mixes.
1
On the Channel modules that you wish to be part of the stage monitor mix, turn
up the MON 1/2 control until the desired balance is obtained.
up the MON 1/2 control until the desired balance is obtained.
2
To send a Channel only to MONITOR 1, adjust the PAN control (the upper black
knob above the purple LEVEL control) fully left (MON 1). To send a Channel
only to MONITOR 2, adjust the PAN control fully right (MON 2).
knob above the purple LEVEL control) fully left (MON 1). To send a Channel
only to MONITOR 2, adjust the PAN control fully right (MON 2).
3
Use the MONITOR 1/2 MASTER to increase or decrease the overall volume
going to the MONITOR OUTS jacks. The default (unity gain) position is marked
with a heavy dot at the “2 o’clock” position.
going to the MONITOR OUTS jacks. The default (unity gain) position is marked
with a heavy dot at the “2 o’clock” position.