E-Mu orbit v2 Manual De Usuario
Chapter 4: Programming Basics
51
PROGRAMMING BASICS
REALTIME MODULATION
In addition to keyboard and velocity modulation, Orbit has multiple
realtime modulation sources. Realtime modulation sources are para-
meters which can be continuously varied over time. The velocity and
keyboard modulations, in comparison, are set at the key depression.
The realtime modulation sources can control any of the destinations
except sample start, Q, and tone, as indicated by the small arrows. Up
to eight modulation routings can be programmed for each preset. The
realtime modulation routings are completely flexible as shown in the
example above.
realtime modulation sources. Realtime modulation sources are para-
meters which can be continuously varied over time. The velocity and
keyboard modulations, in comparison, are set at the key depression.
The realtime modulation sources can control any of the destinations
except sample start, Q, and tone, as indicated by the small arrows. Up
to eight modulation routings can be programmed for each preset. The
realtime modulation routings are completely flexible as shown in the
example above.
Realtime
Modulation Sources
Pitch Wheel,
MIDI Control A,
MIDI Control B,
MIDI Control C,
MIDI Control D,
Mono Pressure,
Polyphonic Pressure,
LFO 1, LFO 2,
Auxiliary Envelope
Modulation Sources
Pitch Wheel,
MIDI Control A,
MIDI Control B,
MIDI Control C,
MIDI Control D,
Mono Pressure,
Polyphonic Pressure,
LFO 1, LFO 2,
Auxiliary Envelope
Destinations
Off,
Pitch, Primary Pitch,
Secondary Pitch,
Volume, Primary Volume,
Secondary Volume,
Attack, Primary Attack,
Secondary Attack,
Decay, Primary Decay,
Secondary Decay,
Release, Primary Release,
Secondary Release,
Crossfade,
LFO 1 Amount, LFO 1 Rate,
LFO 2 Amount, LFO 2 Rate,
Auxiliary Envelope Amount,
Auxiliary Envelope Attack,
Auxiliary Envelope Decay,
Auxiliary Envelope Release,
Portamento Rate,
Primary Portamento Rate,
Secondary Portamento Rate,
Filter Fc, Primary Filter Fc,
Secondary Filter Fc,
Pan, Primary Pan,
Secondary Pan
Off,
Pitch, Primary Pitch,
Secondary Pitch,
Volume, Primary Volume,
Secondary Volume,
Attack, Primary Attack,
Secondary Attack,
Decay, Primary Decay,
Secondary Decay,
Release, Primary Release,
Secondary Release,
Crossfade,
LFO 1 Amount, LFO 1 Rate,
LFO 2 Amount, LFO 2 Rate,
Auxiliary Envelope Amount,
Auxiliary Envelope Attack,
Auxiliary Envelope Decay,
Auxiliary Envelope Release,
Portamento Rate,
Primary Portamento Rate,
Secondary Portamento Rate,
Filter Fc, Primary Filter Fc,
Secondary Filter Fc,
Pan, Primary Pan,
Secondary Pan
Realtime Modulation Sources
POLY
PRESSURE
MONO
PRESSURE
MIDI
CONTROLLER
A/B/C/D
LFO 2
AUXILIARY
ENVELOPE
LFO 1
PITCH WHEEL
Auxiliary
DAHDSR
Amt
Atk Dec Rel
LFO 1
Amount Rate
LFO 2
Amount Rate
R
L
Volume
Pan
Atk Dec Rel
Volume
AHDSR
Primary
Instrument
Pitch
Tone
Z-Plane
Filter
X-Fade
R
L
Volume
Pan
Atk Dec Rel
Volume
AHDSR
Secondary
Instrument
Pitch
Tone
Z-Plane
Filter
Fc
Fc
Portamento
Rate
DCA
DCA