Tapco MIX.FX MIX10FXP Manual De Usuario

This control allows you set up a nice 

monitor mix, independent of the main mix. 
Adjust these controls on each channel until 
your band is happy with the stage monitor 
mix. The controls are off when turned fully 
down, deliver unity gain at the center 
detent, and can provide up to 15 dB of gain 
turned fully up. Adjustments to the channel 
level (20) or main master level (28) will not 
affect the monitor output (9), but channel 
EQ (14-16) and gain (21) will.

Speaker-level output B (3) can power 

passive stage monitors if you set the amp 
mode switch (12) down.

Monitor send (9) is a line-level output 

that is used to send the monitor signal out 
to external stage monitiors. These could be 
powered stage monitors, or power amplifi ers 
running passive stage monitors.

These controls allow you to send a sample 

of each channel's signal to the internal FX 
processor.

Carefully adjust each control to set up the 

FX mix as desired. The controls are off when 
turned fully down, deliver unity gain at the 
center detent, and can provide up to 15 dB 
of gain turned fully up.

If you set these controls too high, the 

processor’s OL LED (35) may light, showing 
that the internal processor is being 
overloaded. If this happens, turn down 
these controls down.

The processed output from the internal FX 

processor can be added to the main mix 
with the FX to main control (27), or added 
to the monitor mix with the FX to monitor 
control (31). Select different presets using 
the preset selector (34), experiment and 
have fun.

This LED will come on when the channel’s 

input signal is too high. This should be 
avoided, as distortion will occur.

If the LED is coming on regularly, check 

that the gain switch (21) is set correctly for 
your input device: Set it to low if you are 
using a line-level input or have a strong 
mic signal. Set it to high if you are using a 
microphone input.

This adjusts the level of each channel sent 

to the main mix. The “U” mark  indicates unity 
gain, meaning no increase or decrease 
of signal level. All the way up provides an 
additional 15 dB, should you need to boost 
a section of the band. If you fi nd that the 
overall level is too quiet or too loud with the 
level near unity, check that the gain switch 
is set correctly.

Press this in (low) if you are connecting a 

line-level input source to channels 1 to 6. 

Press this out (high) if you are connecting 

a microphone-level signal to channels 1 
to 6. A strong mic signal, such as from a 
kick drum mic, or hot condenser mic, may 
require the low setting.

This is the fi rst control that the input signals 

meet. It allows you to choose the level 
depending on the type of input source you 
have connected. If it is set incorrectly, then 
the input signals may overload the mixer, 
causing distortion, or it may come in too 
low, and be lost in noise.

The gain switch allows you to make the 

initial level adjustment, appropriate for the 
connected device (mic or instrument, for 
example). The channel level controls (20) 
are more for fi ne-tuning, to balance the 
channels appropriately for the song.