GE X-9 Manual De Usuario

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3 Connections
 TASCAM X-9 
Owner’s Manual
 11
When connecting an ampli-
fication system to the X-9, 
check the inputs of the 
amplifier. If they look like 
either of the connectors shown here, they are XLR 
connectors and are probably balanced. 
Check the rear panel of the amplifier, or the ampli-
fier’s manual, to make sure. Amplifiers with bal-
anced inputs should be fed by the 
MASTER OUTPUT 
(BALANCED)
 output connectors of the X-9.
All other connectors (mono 1/4” jack or RCA pin 
jacks should be fed by the 
(UNBALANCED)
 RCA pin 
outputs.
The level of the output 
from the unbalanced 
outputs can be set 
using the 
PRE/POST
 
switch to be affected 
by the master fader 
(
POST
) or unaffected 
by it (
PRE
).
WARNING
It is most important to make sure that you make the 
correct connections. Connecting the wrong output of 
the X-9 to the amplification system can result in over-
heating and possible damage to both the X-9 and to 
the amplification system.
If you are in any doubt at all, we strongly suggest that 
you consult your TASCAM dealer or other qualified 
audio professional regarding the interconnection of 
your system.
Use the trimmer potentiometers (
LEVEL ATT
) to 
adjust the output level to the amplification systems. 
Again, you may find it useful to consult the amplifi-
cation system documentation and/or consult a profes-
sional sound engineer.
Booth outputs
The booth outputs provide you with a sec-
ond mix where the level is not controlled 
by the master fader, but by the 
BOOTH 
LEVEL
 volume control.
Connect the unbalanced 
BOOTH 
OUTPUT 
RCA jacks to the unbalanced 
inputs of the booth amplification system.
Microphone (connection and use)
To input your voice through the X-9 sys-
tem, you need to connect a microphone 
to the system. The X-9 provides an XLR 
connector for connecting a standard 
(dynamic) microphone.
Connect your favorite microphone to 
this connector. 
Use the 
TALK OVER
 key to “dim” all 
the signals except the microphone by 
20 dB (the key lights when active).
Adjust the level of the microphone sig-
nal sent to the master fader with the 
LEVEL
 control. 
Adjust the tone of the microphone signal 
with the 
HI
 (treble) and 
LO
 (bass) 
EQ
 
controls. 
Use the menu system (
18bm
) to change the left-right 
balance of the microphone signal.
You can also select the microphone signal to be 
passed through the internal or external effects, as 
well as being used as a source for sampler 1.
The microphone signal can be cued (see “Cue (pre-
viewing sounds)” on page 16
) in the same way as 
program signals, using the 
CUE
 key (lights when 
active).
or