Behringer X32 DIGITAL MIXER Manual De Usuario

X32 DIGITAL MIXER Preliminary User Manual

up. DIFF(USION) controls the initial reflection density. SPREAD controls how the 

reflection is distributed through the envelope of the reverb. The LO CUT knob 

sets a low frequency beneath which the source signal will not pass through the 

reverb. The HiSvFr/HiSvGn knobs adjust a Hi-Shelving filter at the input of the 

reverb effect. 

This effect was originally achieved by combining a reverb with a noise gate. 

Our gated reverb creates the same impression by a special shaping of the reverb tail.
Gated Reverb is especially effective for creating a 1980s-style snare sound or to 

enlarge the presence of a kick drum. (Inspired by the Lexicon 300/480L)
PRE DELAY controls the amount of time before the reverberation is heard following 

the source signal. DECAY controls the amount of time it takes for the reverb to 

dissipate. ATTACK controls how fast the reflection density builds up.  DENSITY shapes 

the reverb decay tail. The higher the density, the greater the number of sound 

reflections. SPREAD controls how the reflection is distributed through the envelope 

of the reverb. The LO CUT knob sets the frequency beneath which the source signal 

will not pass through the reverb. The HiSvFr/ HiSvGn knobs adjust a Hi-Shelving filter 

at the input of the reverb effect. DIFF(USION) controls the initial reflection density.

A plate reverb was originally created by sending a signal through a transducer 

to create vibrations on a plate of sheet metal which were then picked up as an 

audio signal. Our algorithm simulates that sound with high initial diffusion and a 

bright colored sound. X32’s Plate Reverb will give your tracks the sound heard on 

countless hit records since the late 1950s. (Inspired by the Lexicon PCM-70)
PRE DELAY controls the amount of time before the reverberation is heard 

following the source signal. DECAY controls the amount of time it takes for the 

reverb to dissipate. SIZE adjusts the size of the virtual room created by the reverb 

effect. The DAMP knob adjusts the decay of high frequencies within the reverb 

tail. DIFF(USION) controls the initial reflection density. The LO CUT knob sets the 

frequency beneath which the source signal will not pass through the reverb. 

The HI CUT knob sets the frequency above which the source signal will not pass 

through the reverb. The BASS MULT(IPLIER) knob adjusts the decay time of the 

bass frequencies. XOVER controls the crossover point for bass. MOD DEPTH and 

SPEED control the intensity and speed of the reverb tail modulation. 

Classic Hall Reverb simulates the reverberation that occurs when sound is 

recorded in medium to large-sized concert halls. Use the Hall Reverb to give your 

mix a lush, three-dimensional quality that will make your performance sound 

larger than life. (Inspired by the Lexicon Hall)
The PRE DELAY slider controls the amount of time before the reverberation is 

heard following the source signal. DECAY controls the amount of time it takes for 

the reverb to dissipate. SIZE controls the perceived size of the space being created 

by the reverb effect. The DAMP slider adjusts the decay of high frequencies within 

the reverb tail. DIFF(usion) controls the initial reflection density. SHAPE adjusts 

the contour of the reverberation envelope.  

Vintage Room simulates the reverberation that occurs when sound is recorded in 

a small room. When you want to add a bit of warmth and just a touch of reverb, 

X32’s Vintage Room breathes life into close-miced guitar and drum tracks. 

(Inspired by the Quantec QRS)
The VU meter displays the input and output levels. Set the early reflection times 

for the left and right channel with ER DELAY L and ER DELAY R.  ER LEVEL sets the 

loudness of the early reflection level. REV DELAY controls the amount of time before 

the reverberation is heard following the source signal. HI/LOW MULTIPLY adjusts the 

decay time of the high and bass frequencies. TIME shows the duration of the reverb 

effect. ROOM SIZE adjusts the size of the room effect being created incrementally 

from small to large. HIGH CUT sets the frequency above which the source signal 

does not pass through the reverb. DENSITY manipulates the reflection density in the 

simulated room. (This slightly changes the reverb decay time). LOW CUT sets the 

frequency below which the source signal does not pass through the reverb. 

Based on the legendary EMT250, X32’s Vintage Reverb delivers shimmering 

bright reverb that won’t drown out or overpower your live or recorded tracks. 

Use Vintage Reverb to sweeten vocals and snare drums without sacrificing clarity. 
When layer 1 is selected, the first slider on the left sets the reverb time from 

4 milliseconds to 4.5 seconds. Slider 2 controls the low frequency multiplier 

decay time.  Slider 3 controls the high frequency multiplier decay time. Slider 4 

controls the amount of modulation in the reverb tail. When layer two is selected, 

slider 1 adjusts the pre delay. Slider 2 selects the low cut frequency. Slider 3 

selects the Hi Cut frequency. Slider 4 adjusts the output level of the reverb.