Behringer X32 DIGITAL MIXER Manual De Usuario

X32 DIGITAL MIXER Preliminary User Manual

The Mood Filter uses an LFO generator and an auto-envelope generator to control 

a VCF (voltage-controlled filter), as well as a side chain function where the 

channel B signal controls the envelope of channel A. When applied to electronic 

instruments, the Mood Filter can be used to emulate the natural sound of 

acoustic instruments. (Inspired by the MiniMoog) 
This filter can be modulated with the signal’s envelope using the ENV MOD 

(with positive and negative amounts), ATTACK and RELEASE knobs, or the LFO 

can modulate the filter. The WAVE knob selects between 7 different wave forms 

– triangular, sine, saw plus, saw minus, ramp, square, and random. The PHASE 

can be offset by up to 180 degrees. The SPEED knob adjusts the rate of the LFO  

and the DEPTH adjusts the amount of LFO modulation. Adjust the resonance of 

the filter until self-oscillation with the RESO(nance) knob. BASE adjusts the range 

of the filter from 20 Hz to 15 kHz. The MODE switch selects between low pass 

(LP), high-pass (HP), band-pass (BP) and Notch. Use the MIX knob to blend the 

effected signal with the dry sound. With the 4 POLE switch engaged, there will 

be a steeper slope than the OFF (2 pole) setting. The DRIVE knob adjusts the 

level and can also introduce an overdrive effect (as with real analogue filters) 

if pushed hard. In Sidechain mode, only the left input signal is processed and 

fed to both outputs. The envelope of the right input signal can be used as a 

modulation source.

Here we have combined Delay and Chamber reverb, so a single device can provide 

a variety of delay settings, plus add just the right type and amount of reverb to 

the selected signal. This device only uses one FX slot. (The Reverb is Inspired by 

the Lexicon PCM 70)
Use the BALANCE knob to adjust the ratio between delay and reverb. 

Low frequencies can be excluded with the LO CUT knob, and the MIX adjusts 

how much of the effect is added to the signal. The TIME knob adjusts the delay 

time for the left channel delay, and the PATTERN sets the delay ratio for the 

right channel delay. Adjust the FEEDBACK and trim some high frequencies with 

the FEED HC (high-cut) knob. The XFEED knob allows you to send the delay 

sound to the reverb effect, so instead of running completely parallel, the reverb 

effects the echos to a selected degree. The PREDELAY knob determines the 

hesitation before the reverb affects the signal. The DECAY knob adjusts how 

quickly the reverb fades. The SIZE controls how large or small the simulated 

space is (room, cathedral, etc.). The DAMPING knob determines the decay of high 

frequencies within the reverb tail. 

Taking up only one FX slot, the Chorus + Chamber effect combines the shimmer 

and doubling characteristics of a studio-grade Chorus with the sweet sound of a 

traditional Chamber reverb. (Reverb is Inspired by the Lexicon PCM 70)
The BALANCE knob adjusts the balance between chorus and reverb. Low 

frequencies can be excluded with the LO CUT knob, and the MIX knob adjusts 

how much of the effect is added to the signal. SPEED, DELAY and DEPTH adjust 

the rate, delay, and modulation depth of the chorus. The LFO PHASE between left 

and right channel can be offset by up to 180 degrees, and WAVE adjusts the LFO 

waveform from a sine wave to triangular wave. The PREDELAY knob determines 

the hesitation before the reverb affects the signal. The DECAY knob adjusts how 

quickly the reverb fades. The SIZE controls how large or small the simulated 

space is (room, cathedral, etc.). The DAMPING knob determines the decay of high 

frequencies within the reverb tail.

Add the mind-bending, filter-sweeping effect of a state-of-the-art Flanger to 

the elegant sweetening of a traditional Chamber reverb—all in one FX slot. 

(Reverb is Inspired by the Lexicon PCM 70)
The BALANCE knob adjusts the ratio between flanger and reverb. Low frequencies 

can be excluded with the LO CUT knob, and the MIX knob adjusts how much of 

the effect is added to the signal. SPEED, DELAY and DEPTH adjust the rate, delay, 

and modulation depth of the flanger. FEEDback can be adjusted with positive and 

negative amounts. The PHASE can be offset by up to 180 degrees. The PREDELAY 

knob determines the hesitation before the reverb affects the signal. The DECAY 

knob adjusts how quickly the reverb fades. The SIZE controls how large or small 

the simulated space is (room, cathedral, etc.). The DAMPING knob determines the 

decay of high frequencies within the reverb tail.