Behringer DJ Equipment PMP3000 Manual De Usuario

EUROPOWER PMP1000/PMP3000/PMP5000 User Manual

Use the 

(6) 

MID control to boost or cut the midrange frequencies.

PMP5000: The PMP5000 has an additional semi-parametric filter for the 

(7) 

midrange frequencies in the mono channels (tunable from 100 Hz to 8 kHz). 
Adjust the boost/cut with the MID control, and the frequency with the 

FREQ control.

The stereo channels contain a stereo EQ section. The cut-off frequencies 
of the high and low bands are 12 kHz and 80 Hz respectively, while the 
center frequencies of the high-mid and low-mid bands are 3 kHz and 
400 Hz respectively.

The 

(8) 

LOW control allows you to boost/cut the low frequency range.

With the 

(9) 

MON(ITOR) control you can adjust the volume of each channel in 

the monitor mix.

The PMP3000 and PMP5000 feature a second MON control 

(10) 

(MON 2) for the 

volume of the second monitor bus.

The 

(11) 

FX control determines the signal level sent from each channel to the 

built-in effects processor; this signal is also present at the FX SEND jack 
(see  

(64)

).

The PMP5000 has two FX controls (

(12) 

FX 1 and FX 2), so that you can use two 

effects simultaneously. Accordingly, the PMP5000 also has two effect aux 
buses, which have one output jack in common (see  

(46) 

 and  

(64)

).

The 

(13) 

PAN(ORAMA) control determines the position of the channel signal in 

the stereo main mix.

The 

(14) 

BAL(ANCE) control for the stereo channels corresponds to the PAN 

control for the mono channels. It determines the relative volume of the left 
and right input signals before they are routed to the stereo main output.

PMP3000/PMP5000: When you press the 

(15) 

PFL button (Pre Fader Listening) 

the left LED  

(34) 

 shows the pre-fader input gain of the channel. Adjust the 

optimum input gain (0 dB) with the TRIM control  

(1)

. When PFL is on, 

the corres ponding LED illuminates.

If the LEVEL SET LED  

(2)

  is illuminated constantly, the signal is within the 

optimum operating level range. However, if the CLIP LED indicates that the 
input gain is too high, you should reduce the level slightly with the TRIM 
control. The CLIP LED should never be illuminated all the time, only with 
signal peaks.

The 

(16) 

MUTE switch mutes the channel in the main mix. The pre-fader signals 

(monitor buses) remain operative. When  MUTE is pressed, the corresponding 
control LED illuminates.

The channel fader controls the channel signal level in the main mix.

(17) 

Each mono input channel is equipped with a balanced microphone input 

(18) 

(XLR connector) which provides +48 V phantom power for condenser 
microphones at the touch of a button (see rear panel).

PMP1000: The two stereo channels 5/6 and 7/8 have an additional balanced 
XLR microphone input with +48 V phantom power.

Each mono input features one 

(19) 

LINE IN connector (1/4" jack), which can be 

used with either balanced or unbalanced signals.

(20) 

. Insert points or simply inserts are used to process a signal 

with dynamic processors or equalizers. They are pre-fader, pre-EQ and 
pre-MON/FX SEND. Unlike reverb and other effects, which are usually added 
to the dry signal, dynamic processors usually process the entire signal. 
So, aux send buses are not the best solution. Dynamic processors need to be 
inserted directly into the signal path. Once processed, the signal then returns 
to the mixing console at the same point where it left. Signal interruption 
takes place only if a plug is inserted into the corresponding jack (1/4" stereo 
plug: tip = signal output, ring = input). All mono input channels are 
equipped with inserts.

The stereo channels have a 

(21) 

TRIM control for gain adjustment, with the input 

sensitivity ranging from +20 to -20 dB. 

PMP1000: The stereo channels 5/6 and 7/8 feature an additional XLR 
connector for microphones whose gain can be set from 0 to +40 dB.

Each stereo channel has two line-level inputs (1/4" jacks) for the left and right 

(22) 

channels. If only the jack marked “L” is used, the channel is mono. The signal 
will then be reproduced on both sides.

PMP3000: The stereo channels 9/10 and 11/12 are equipped with additional 

(23) 

RCA connectors.

PMP5000: The stereo channels 13/14 and 15/16 are equipped with additional 
RCA connectors.

(4) 

PMP3000/PMP5000: Each of the two stereo channels has two monitor 

(24) 

controls (MON 1/2) and a LEVEL control  

(25)

. Like the other channels, 

they also feature a PFL switch.

Instead of a fader this channel has a rotary 

(25) 

LEVEL control.

The phantom power supply provides the voltage necessary for the operation 

(26) 

of condenser microphones. Use the PHANTOM switch to activate the supply 
for the XLR connectors of the input channels. The +48 V LED will illuminate 
when phantom power is on. In most cases, dynamic microphones can still be 
used, as long as they are connected in a balanced configuration. If in doubt, 
please contact the manufacturer of your microphone!