Behringer EURODESK MX9000 Manual De Usuario
45
17. LIVE P.A. WITH 2-TRACK RECORDING
In this example we'll use the aux sends 1 and 2 for stage foldback, and 3/4/5/6 for front-of-house effects. The
P.A. is driven from the main mix. MIX-B will be used to set up the mix to DAT.
P.A. is driven from the main mix. MIX-B will be used to set up the mix to DAT.
Channels
Source
FOH
FX
Wedges / monitoring
1
Kick
Subgroups 1 and 2 / MIX-B
-
Aux send 1 and 2
2
Snare
Subgroups 1 and 2 / MIX-B
Aux send 4
Aux send 1 and 2
3
Hi Hat
Subgroups 1 and 2 / MIX-B
-
Aux send 1 and 2
4
Tom 1
Subgroups 1 and 2 / MIX-B
Aux send 4
-
5
Tom 2
Subgroups 1 and 2 / MIX-B
Aux send 4
-
6
Tom 3
Subgroups 1 and 2 / MIX-B
Aux send 4
-
7
Tom 4
Subgroups 1 and 2 / MIX-B
Aux send 4
-
8
Cymbals (overheads) Subgroups 1 and 2 / MIX-B
-
-
9
Keyboards L
Subgroups 3 and 4 / MIX-B
-
Aux send 1 and 2
10
Keyboards R
Subgroups 3 and 4 / MIX-B
-
Aux send 1 and 2
11
Bass DI
Main mix / MIX-B
-
Aux send 1 and 2
12
Trumpet
Subgroups 5 and 6 / MIX-B
Aux send 5
Aux send 2
13
Trombone
Subgroups 5 and 6 / MIX-B
Aux send 5
Aux send 2
14
Sax
Subgroups 5 and 6 / MIX-B
Aux send 5
Aux send 2
15
BVs 1
Subgroups 7 and 8 / MIX-B Aux send 5 and 6
Aux send 1 and 2
16
BVs 2
Subgroups 7 and 8 / MIX-B Aux send 5 and 6
Aux send 1 and 2
17
BVs 3
Subgroups 7 and 8 / MIX-B Aux send 5 and 6
Aux send 1 and 2
18
Conga L
Main mix / MIX-B
-
Aux send 2
19
Conga R
Main mix / MIX-B
-
Aux send 2
20
Guitar 1 microphone
Main mix / MIX-B
-
Aux send 1 and 2
21
Guitar 2 microphone
Main mix / MIX-B
-
Aux send 1 and 2
22
Lead vocal
Main mix / MIX-B
Aux send 5 and 6
Aux send 1 and 2
23
FX 1 L
Main mix / MIX-B
-
-
24
FX 1 R
Main mix / MIX-B
-
-
Tab. 17.1: Channel assignments 2-track
Every B-channel has its own LEVEL, PAN and HIGH and LOW EQ. MIX-B in fact is acting here like a totally
independent separate mixer, albeit with fewer facilities than the main mix. The primary stereo reverb/echo
unit's outputs have been patched into A-channels rather than an aux return, to enable them to be sent to the
MAIN MIX and MIX-B independently.
independent separate mixer, albeit with fewer facilities than the main mix. The primary stereo reverb/echo
unit's outputs have been patched into A-channels rather than an aux return, to enable them to be sent to the
MAIN MIX and MIX-B independently.
+
S48 is UP, i.e. MIX-B is NOT blended into the main mix.
+
Bringing the DAT back on aux 1 return P49 (as opposed to the 2-track or external inputs)
enables not only auditioning of DAT playback, but also balancing playback level against the
main mix, in case you also want to use it to play a pre-recorded intro tape to set the scene for
the coming performance.
enables not only auditioning of DAT playback, but also balancing playback level against the
main mix, in case you also want to use it to play a pre-recorded intro tape to set the scene for
the coming performance.
+
Be sure to have aux return 1 turned all the way down or de-assigned when recording to DAT.
Otherwise expect massive and terminal (as far as the P.A. and gig are concerned) howlround.
Otherwise expect massive and terminal (as far as the P.A. and gig are concerned) howlround.