Behringer ACX1000 Manual De Usuario
9
ULTRACOUSTIC ACX1000
Use the POWER switch to put the ULTRACOUSTIC into
operation.
operation.
FUSE HOLDER / VOLTAGE SELECTOR. Please make
sure that your local voltage matches the voltage indicated
on the unit, before you attempt to connect and operate the
ULTRACOUSTIC. Blown fuses may only be replaced by
fuses of the same type and rating. Some models allow for
inserting the fuse holder in two different positions, in order
to switch over from 230 V to 120 V operation, and vice
versa. Please note that for 120 V operation outside Europe,
you need a fuse of a higher rating (see chapter 3
“INSTALLATION”).
sure that your local voltage matches the voltage indicated
on the unit, before you attempt to connect and operate the
ULTRACOUSTIC. Blown fuses may only be replaced by
fuses of the same type and rating. Some models allow for
inserting the fuse holder in two different positions, in order
to switch over from 230 V to 120 V operation, and vice
versa. Please note that for 120 V operation outside Europe,
you need a fuse of a higher rating (see chapter 3
“INSTALLATION”).
Use the enclosed power cord to connect the unit to the
mains.
mains.
SERIAL NUMBER.
Connect the enclosed footswitch to the FOOTSWITCH
jack. The footswitch allows you to recall the four effects
presets.
jack. The footswitch allows you to recall the four effects
presets.
MIDI IN. This connector gives you MIDI remote control over
your ULTRACOUSTIC. You can change effects programs
by means of program change commands.
your ULTRACOUSTIC. You can change effects programs
by means of program change commands.
The TUNER output always provides the instrument
channel’s audio signal to feed an external tuner.
channel’s audio signal to feed an external tuner.
The balanced DIRECT OUT jack provides a line-level copy
of the instrument channel’s signal. Use this jack to connect
an external power amp or mixing console.
of the instrument channel’s signal. Use this jack to connect
an external power amp or mixing console.
Your ULTRACOUSTIC also features a serial stereo master
insert path, which allows you to insert external effects
devices. These are the MASTER INSERT SEND jacks for
the left and right channels, which should be connected to
the inputs of the external effects device. You can also tap
a stereo signal from these connectors.
insert path, which allows you to insert external effects
devices. These are the MASTER INSERT SEND jacks for
the left and right channels, which should be connected to
the inputs of the external effects device. You can also tap
a stereo signal from these connectors.
These are the MASTER INSERT RETURN jacks for
connection to the outputs of an external effects device.
connection to the outputs of an external effects device.
Please note that when using the serial effects path,
the external effects device should not be set to
100% wet (100% effect signal); otherwise, there will
be no direct signal portion fed back to the
ULTRACOUSTIC.
the external effects device should not be set to
100% wet (100% effect signal); otherwise, there will
be no direct signal portion fed back to the
ULTRACOUSTIC.
The TAPE OUT provides a stereo copy of the
ULTRACOUSTIC’s audio signal, e.g. for recording purposes.
The TAPE OUT is on RCA jacks.
ULTRACOUSTIC’s audio signal, e.g. for recording purposes.
The TAPE OUT is on RCA jacks.
The TAPE IN jacks perform the same function as the AUX
IN. However, due to the RCA connectors you can also
connect a tape deck or hi-fi system directly to the TAPE IN
jacks.
IN. However, due to the RCA connectors you can also
connect a tape deck or hi-fi system directly to the TAPE IN
jacks.
2. CONTROL ELEMENTS
2.2 Rear panel
Fig. 2.3: The rear panel connectors
The AUX IN allows you to feed in additional stereo signals,
for example, to play with a drum computer or some sort of
playback. Additionally, you can use the AUX IN in
combination with the INSERT SEND as a parallel effect
path: connect the INSERT SEND to the input and the AUX IN
to the output of the effects device (INSERT RETURN jacks
should not be used in this case!). Thus, the signal path
inside the amplifier will not be interrupted and you can add
the effect portion from the external device, using the AUX
LEVEL control. Please note that the external effects device
must be set to 100% wet for this purpose.
for example, to play with a drum computer or some sort of
playback. Additionally, you can use the AUX IN in
combination with the INSERT SEND as a parallel effect
path: connect the INSERT SEND to the input and the AUX IN
to the output of the effects device (INSERT RETURN jacks
should not be used in this case!). Thus, the signal path
inside the amplifier will not be interrupted and you can add
the effect portion from the external device, using the AUX
LEVEL control. Please note that the external effects device
must be set to 100% wet for this purpose.
This is the MIC INS. SEND jack of the microphone/line
channel’s insert path. Connect this jack to the input of an
external effects device or compressor.
channel’s insert path. Connect this jack to the input of an
external effects device or compressor.
This is the MIC INS. RETURN jack of the microphone/line
channel’s insert path. Connect this jack to the output of an
external effects device.
channel’s insert path. Connect this jack to the output of an
external effects device.
The instrument channel also features an insert path. This
is the INSTR. INS. SEND jack.
is the INSTR. INS. SEND jack.
The INSTR. INS. RETURN jack is used to feed back the
effect signal to the ACX1000.
effect signal to the ACX1000.