Alesis {name} manuales

Manual De Propietario

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Overview, Setup, and Basics
1
1.1 M20 Highlights
1
Control and Connector Basics
1
2.1 About the Front Panel
1
Editing M20 Operating Parameters
1
3.1 The Keypad
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3.1a 0 through 9 buttons
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3.1b Up Arrow/Yes/Upper Case
1
3.1c Down Arrow/No/Lower Case
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3.1d Cursor Left
1
3.1e Cursor Right
1
Tape Formatting
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Track Record Enabling and Monitoring
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5.1 Track Basics
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Digital/Analog Input Selection and Routing
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6.1 Digital Source
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6.2 Input Select
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7.1 Meter Mode Selection
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7.1a Clearing Peaks
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Transport Controls and Basic Recording
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8.1 About the Tape Counter
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8.2 Stop
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Autolocation
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9.1 Entering, Selecting, and Editing Location Points
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9.1A Set Locate
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9.1B Copy Tape Location
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Varispeed
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SMPTE, Sync, and Offset Functions
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11.1 Clock Source
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MIDI Functions
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12.1 MIDI Device (Page 1)
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12.2 MMC Output (Page 2)
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12.3 MTC Follow Gen (Page 3)
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12.4 Send Sysex Dump? (Page 4)
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Utility Menu
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13.1 Digital Out (Page 1)
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13.2 Online Source (Page 2)
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13.2a Online Button
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The LRC Remote Control
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Tutorials and Applications
1
TUTORIAL 1: Multiple M20 Operation
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Overview
1
Synchronizing Machines
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Automatic ID Renumbering
1
M20 SMPTE Synchronization Overview
1
16.1 Synchronization Basics
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Master or Slave?
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Digital Timing Requirements
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Time Code Tutorial
1
17.1 Generating Time Code onto a VCR
1
M20 Hidden Functions
1
Power-On Button Combinations
1
Miscellaneous Button Combinations
1
Using The M20 Data Section Of Tape
1
General data section convention on the M20
1
M20 Locate Points and SMPTE Offsets
1
BRC ⇔ M20 Song Start / SMPTE Start Offset and Locate Point Map
1
M20 Transport & System Error Messages
1
M20 Major Feature Update: Version 2
1
RS-422 (Sony 9-pin) slave operation
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RS-422 Track Arm: On/Off
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RS-422 Mapping: 1-2, OddEvn, (Local)
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1.2 Unpacking and Inspection
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1.3 AC Power Hookup
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3.1f Enter/Name
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4.1 Sample Rate Selection
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5.2 Track Input Enables
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5.3 Auto Input Switch
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5.4 Record Enable
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6.3 Track Output Selection
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6.4 Input Signal Routing (Analog And Digital)
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7.2 Meter Setup
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8.3 Play
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8.3a Play Button and Sync Status
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8.4 Jog/Shuttle Wheel and Search
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8.4a Jog Mode
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11.2 SMPTE Rate
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11.3 Time Code Source
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11.3a Internal
2
12.5 Receive Sysex Dump? (Page 5)
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12.6 Send Software? (Page 6)
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12.7 Load Software? (Page 7)
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13.2b Independent Slave Mode
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13.3 Online Control (Page 3)
2
13.4 One-Button Record (Page 4)
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13.5 Input Monitor (Page 5)
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Master/Slave Interaction
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Achieving Lock
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Independent Slave Mode
2
16.2 The One Clock Principle
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16.2a House Sync
2
16.2b “Genlocked” Time Code
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17.2 Synchronizing Without a T/C Track
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BRC ⇔ M20 Parameter Map
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ID 1 offline with the CADI remote
2
CADI Tape and Reference Counter indications when ID 1 is offline
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Storing locate points when ID 1 is offline
2
1.4 Line Conditioners and Protectors
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1.5 About Audio Cables
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2.2 About the Rear Panel
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2.2a Punch Footswitch
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2.2b Locate/Play or LRC Remote Control Jack
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2.2c Analog Inputs and Outputs
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2.2d Time Code In and Out
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2.2e Word Clock In and Out
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2.2f ADAT Optical In and Out
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3.1g Selecting Pages
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3.1h Selecting Page Parameters
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3.1i Entering Parameter Values
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4.1a Pull-up and Pull-down Sample Rate Selection
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4.2 Word Length Selection
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5.5 Safety Mode (All Safe)
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5.6 Monitor Inputs (All Input)
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6.4a Analog Input Routing
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8.4b Shuttle Mode
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8.4c Search Button
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9.2 Deferred Play and Record
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9.3 Play-After-Locate (Auto Play)
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9.4 Loop Between Start and End Locate Points (Auto Return)
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11.4 Chase Reference
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13.6 Crossfade Time (Page 6)
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13.7 Time Code Output Level (Page 7)
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13.8 Rewind/Fast Forward TC Output (Page 8)
3
13.9 Unthread Timeout (Page 9)
3
Formatting Multiple Tapes
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Master Format Enabled, Complete Format
3
Master Format Enabled, Format Extend
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16.3 Reference Counters vs. Clock Sources
3
16.3a Location Reference
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16.3b Reference Clock
3
17.3 Recording a Time Code Track
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17.3a Recording SMPTE from ABS Time
3
Advanced Functions
3
Tape TC detection in fast wind modes
3
1.6 Basic Audio Hookup
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1.7 Use the Right Tape
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1.8 Preparing the Tape Prior to Use
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1.9 Eject Tape Properly
4
1.10 Backup
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2.2g Video In and Thru
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2.2h ADAT Sync In and Out
4
2.2i MIDI In and Out
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2.2j RS-422 In (Sony 9-Pin)
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2.2k Meter Bridge/Remote Panel Out
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2.2l Power
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3.2 The Edit Button
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3.3 Editing Conventions
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4.3 Format a New Tape
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4.4 Record Tracks While Formatting
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6.4b Digital Input Routing
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8.4d Search Master
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9.4a Setting Loop Start and End Points
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9.5 Set Pre-Roll
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11.5 Reference Counter
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11.6 SMPTE Chase
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11.6a Set SMPTE Offset Value (Page 1)
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13.10 Search Enable (Page 10)
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13.11 Locate Before Play (Page 11)
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13.12 Mute Until Lock (Page 12)
4
13.13 Dynamic Punch (Page 13)
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13.14 Track Groups (Page 14)
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13.15 Save Data to Tape? (Page 15)
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Master Format Disabled
4
Master Format Disabled, Format Extend
4
Tape TC in the Tape Counter
4
Fixed mode time code generation: “TC Start Ref: Fixed”
4
1.11 Operating Environment
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1.12 Avoid Electromagnetic Interference
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4.5 Extend a Partially-Formatted Tape
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4.6 End Formatting
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4.7 Certify Tape Format
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4.8 Reformatting: Caution!
5
6.4c Record-Enabling the Destination Tracks
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8.5 Other Transport Buttons
5
9.6 Set Post-Roll
5
11.6b Set SMPTE Chase Mode (Page 2)
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11.6c Set Flywheel Duration (Page 3)
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11.6d Park Ahead (Page 4)
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13.16 Load Data from Tape? (Page 16)
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13.17 Tape Type (Page 17)
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13.18 ID Status (Page 18)
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13.19 User Bits (Page 19)
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TUTORIAL 2: Making Digital Backups
5
16.3 Offsets in the M20
5
16.3a SMPTE Chase Offset
5
Maintenance and Troubleshooting
5
18.1 ADAT Head Cleaning
5
Digital Scrub: “Dig Scan: On/Off, nn dB”
5
I/O Card as the digital source
5
SMPTE Chase with the Stop button
5
Tape TC updating when in Input mode
5
Vari-Speed and Pull-Up/Down
5
4.9 Lock Out Formatting (Safe Mode)
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4.10 Bulk Erasing
6
4.11 Recording a “Benchmark” Tape
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6.5 Aux Routing (input and output)
6
8.6 Record
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8.6a Punching Into Record
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8.6b Punching Out of Record
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9.7 Footswitch-Controlled Location
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11.7 Internal Generator
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11.7a Generator Mode (Page 1)
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13.20 Error Rate (Page 20)
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13.21 Front Panel Software Version (Page 21)
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13.22 Software Version (Page 22)
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Dealing with Damaged Tape
6
Making a 16-bit copy from a 20-bit master
6
16.3b Internal Generator ABS Offset
6
16.3c Tape Offset
6
18.1a Head Cleaning Cassettes (optional)
6
18.1b Manual Head and Tape Path Cleaning
6
MIDI Thru
6
New Utility page order
6
CADI display changes
6
Cassette Auto-Inject
6
8.6c Record Write-Protection
7
8.6d Recording with a Footswitch
7
8.7 Rehearse Mode
7
11.7b Time Code Start Reference (Page 2)
7
11.7c ABS/Start Offset (Page 3)
7
TUTORIAL 3: Recording Digital Audio from Other Sources
7
Digital Clock Considerations
7
16.4 SMPTE Time Code Rates and Types
7
16.4a Drop Frame
7
16.4b Auto-detection of SMPTE Rates
7
18.2 ADAT Head Life
7
18.2a Head Alignment
7
Deck Standby Mode
7
Auto-Park After Formatting
7
Deferred Eject
7
New RS-422 Device ID
7
Improved SMPTE Clock Source Recognition
7
Sample Rate Change During Play/Record
7
8.8 Auto Record
8
8.8a Setting Auto Record Punch Points
8
11.7d User Bits (Page 4, or Page 3 if the Page 2 value is TC Track)
8
11.8 Tape Offset
8
TUTORIAL 4: Combining M20s and ADATs
8
M20 Transport Speed
8
Sample rate vs. Pitch Control
8
Input Monitoring
8
16.4c VITC (Vertical Interval Time Code)
8
16.4d MTC (MIDI Time Code)
8
18.3 Tape Maintenance: Safe Tape
8
18.3a Tape Wear
8
18.3b Care of ADAT Tapes
8
8.8b Enable Auto Record
9
8.8c Set Auto Punch Points “On the Fly”
9
Polarity Differences
9
18.4 Maintenance/Service
9
18.4a Exterior Cleaning
9
18.4b Maintenance
9
11.9 Track Delay
10
TUTORIAL 5: Setting up Inputs
10
18.4d Obtaining Repair Service
10
TUTORIAL 6: Updating M20 Software
11
TUTORIAL 7: Using the M20 with Unbalanced Inputs and Outputs
12

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Language:

English

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