Sony SDDS Print Master Manuel D’Utilisation
1 SDDS Print Master Format
SDDS Print Master Guidelines, Page
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5
Akai DD8 machines – Care and Use
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5.1 Models
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5.2 Media
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5.3 At the optical camera transfer facility
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5.4 Track assignment
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5.5 Synchronisation at the dubbing theatre
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5.6 Levels
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5.7 Problems with MO drives
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5.8 Drive servicing
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6
SDDS - T he industry's best sounding format
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Hear the Difference
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6.2
System Basics
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SDDS Products
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6.4
Big Sound for the Big Screen
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6.5 Further details – Why is it the best sounding system?
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6.6 Testimonials
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7
Dolby level versus operating level. Historical notes.
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8
Subwoofers
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8.1 Introduction
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8.2 Setting the acoustical reference level on the dub stage.
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8.3 Setting the subwoofer acoustical gain using a screen speaker as a reference.
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8.4 Why we do it this way.
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8.5 What it means.
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8.6 Setting the digital screen speakers in the cinema.
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8.7 Setting the digital subwoofer in the cinema.
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8.8 Optical subwoofer defined.
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8.9 Setting the optical subwoofer.
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8.10
Subwoofer polarity.
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8.11
Rule-of-thumb methods.
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Glossary of T erms
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